The combination of director Ida Lupino, stage/sports mother Claire Trevor and screenwriter Martha Wilkerson make this 1951 movie a winner. Although the story closely resembles the classic "Mildred Pierce", these three women and Sally Forrest who plays the railroaded daughter, combine to make the movie better than its B-picture status. The final shot of Trevor sitting in the empty stands, coiffed hair rumpled, perfect posture slouched and no one else in sight really gives a melancholy emotional conclusion to the film. Although alone, with newspapers and debris blowing across the empty tennis court, she still hears the sounds of her daughter's triumphs with tennis balls hitting racquets over and over and over. It's a fitting end to this monster of a mother movie. While it's not a great movie it is a good one and worth watching for the intense relationship/rivalry between the mother and daughter. Though we may have seen this "type" of movie before, the women involved bring it to a fever pitch and bring a uniquely women's perspective to this tale.