The first scene shows the chief as he explains to his followers the plan of the great train robbery. Two masked robbers enter and compel the operator to stop the approaching train. They ... See full summary »
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
A fireman rushes into a carriage to rescue a woman from a house fire. Breaks the window glasses and he goes down with the woman. After dangerous and uncertain moments, the fireman save the woman' s son, too.
George S. Fleming,
Edwin S. Porter
Edwin S. Porter,
The clip shows a jockey, Domm, riding a horse, Sally Gardner. The clip is not filmed but instead consists of 24 individual photographs shot in rapid succession, making a moving picture when using a zoopraxiscope.
The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.
Among the earliest existing films in American cinema - notable as an early film to present a narrative story to tell - it depicts a group of cowboy outlaws who hold up a train and rob the passengers. They are then pursued by a Sheriff's posse. Several scenes have color included - all hand tinted.Written by
The film was originally distributed with a note saying that the famous shot of the bandit firing his gun at the camera could be placed either at the beginning or at the end of the film. All known prints put it at the end. See more »
When the bandits rob the train and drive away with the engine it is on the right rail-track. When they stop to proceed on horseback the train is on the left. See more »
Arguably the first motion picture to employ the milieu of what would quickly become known as the Western genre, Edwin S. Porter's The Great Train Robbery was a smashing success with audiences (dozens of film history texts report with glee how viewers shrieked with fear and delight when a tightly-framed gunslinger pointed and fired directly at the camera) and made remarkable strides toward the establishment of longer, more narratively developed films. Porter's cutting was also among the most sophisticated to date, as multiple locations and events were suffused with a previously unseen urgency. Based on actual events, The Great Train Robbery ignited the imaginations of the scores who saw it -- making the movie one of the earliest examples of sensationalized, fictionalized screen adaptations taken from historical precedent.
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