Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.
Daniel Giménez Cacho,
The happiness of a newly-married couple, Henry and Jeannie Saint Clair, is shattered when the husband is made a paralytic in an automobile accident. The wife still loves him, although he is... See full summary »
Edmond T. Gréville
After her father is killed by an outlaw, Dolores marries Peter. While they're at sea in the Arctic, Dolores meets the ship's captain, who is the man who killed her father. The captain causes an 'accident' to happen to Peter, so Dolores is all alone and defenseless as they drop anchor in a remote harbor.Written by
David Eickemeyer <email@example.com>
16 Kinds of Wild Animals Play a unique part in the story. greatest dog sledge race and dog fight ever! Scenes actually taken inside the rim of the Arctic Circle (Print Ad-San Diego Union, ((San Diego, Calif.)) 23 November 1919) See more »
Critically ill, lead actor Ronald Byram left the shoot during the first two weeks and was replaced by Wheeler Oakman. It is probable that it is Byram in the close-ups in the sledge in the final chase scenes. Roy Laidlaw is frequently but erroneously referred to as Ralph Laidlaw in the trade press of the time. Edna Shipman did not act in this film as is sometimes claimed. The film opened at the Strand Theater in Owosso, Michigan, where it played for three days. Canadian Photoplays Ltd. was a Calgary-based company incorporated 7 February 1919 under the laws of Alberta. Shipman-Curwood Company was later called Curwood-Carver Productions Inc. See more »
After a night of evil dreams Rydal's smoldering desire leaps into flame.
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Derivative of Jack London's "arctic" novels, but interesting
This story is based loosely on a novel, not by Jack London, but similar to his "White Fang" and "Call of the Wild" in genre. It has been freely adapted to give most exposure to Nell Shipman who even in the flat lighting usual in the 1919 era comes across as a very capable "Jane Alexander" type. The simple story of villainy stemming from single-minded lust is confusingly told. That may be the result, though, of the difficulties of "restoration" of the old film. There are some excellent scenes that evoke the dreadful loneliness of the arctic winters. It's not a great old museum piece, but interesting and worth a watch.
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