Tim Kelly is an orphan who runs away after his orphanage burns down. Presumed to be killed in the fire, he is able to roam the streets of New York freely. He meets Max Ginsberg, an old ... See full summary »
Edward F. Cline
Lydia Yeamans Titus,
Based on a centuries-old traditional Japanese fairy tale, a country couple finds a baby girl in some bamboo and raises her as their own daughter. Not the same as the original tale, though, ... See full summary »
There was no cast list per se. Some actors were credited by intertitles when they first appeared. Syd Chaplin was credited above the title and his full character name was supplied in an intertitle. See more »
The print of the film in the Turner library, and released on DVD through Warner Archive includes the original 1926 Vitaphone music score, with some sound effects and singing. At one point, Harold Goodwin whispers a word to Sydney Chaplin which is also faintly heard. See more »
Syd Chaplin was a successful silent-film comedian whose importance has been upstaged by his much more famous half-brother. But in fact it was Syd Chaplin who helped kid brother Charlie get his first jobs as a performer in Victorian music-halls. After Charlie Chaplin became a film star, it was big brother Syd who negotiated the contracts that made Charlie a multi-millionaire. Richard Attenborough's film biography "Chaplin" sadly neglected the major contributions which Syd Chaplin made to Charlie's career, in addition to entirely ignoring Syd's own career as a comedian.
Like the Addams Family movies, "The Better 'Ole" is a live-action movie based on characters that originally appeared as magazine cartoons. "The Better 'Ole" stars Syd Chaplin in heavy make-up as Old Bill, a Tommy Atkins (private infantryman) in the British Expeditionary Forces during the Great War. Some historical background is necessary here. Americans of a certain age will recall Willie and Joe, the two riflemen drawn by American cartoonist (and infantryman) Bill Mauldin for "Stars and Stripes" magazine during World War Two. During the same period, English military humourist W.J.P. Jones was lampooning British Army officers in a panel cartoon called "The Two Types". What those characters represented for the Second World War, "Old Bill" represented for the British army during the First World War. Old Bill was created by Bruce Bairnsfather, a B.E.F. army captain and talented cartoonist. Bairnsfather's most famous drawing depicted Old Bill and a younger infantryman in a filthy trench full of rainwater. The younger man has clearly just finished uttering a complaint, and the caption reveals Old Bill's reply in his Cockney accent: "If you knows a better 'ole, go to it." That scene is re-enacted by Syd Chaplin in this movie, along with several more of Bairnsfather's drawings. (Bairnsfather's creation also became a London stage play, and there was a 1919 film version made in England ... so this movie is a Hollywood remake.)
Most of this film's appeal will be lost to modern viewers, who can't be expected to realise how incredibly popular (and how important to morale) Bairnsfather's cartoons were for the British war effort (and, to a lesser extent, the American war effort) during the Great War. Alas, too much of the humour here is too predictable. The best scene in "The Better 'Ole" occurs when Old Bill and his troopmate Alf go behind enemy lines disguised as the front and rear of a horse. This sequence is funny, but it's too similar to a scene in the earlier film "Shoulder Arms", in which Charlie Chaplin is a doughboy who goes behind enemy lines disguised as a tree. The fact that Syd Chaplin appears in "Shoulder Arms" (in two supporting roles) only emphasises how derivative "The Better 'OIe" is.
"The Better 'Ole" features good supporting performances by comedy veteran Edgar Kennedy and his unjustly obscure half-brother Tom Kennedy. The Kennedy brothers both had long film careers but only seldom worked together because they were similar physical types. Here, they're in separate scenes.
I enjoyed "The Better 'Ole" but I expect that most modern audiences lack the patience for it. Syd Chaplin deserves to be rediscovered, but this movie isn't one of his best efforts.
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