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Charles E. Evans,
Molly and Bee, sweet young 'working girls,' live in a cheap room over a New York grocery store. Molly's idol, wealthy Jack Cromwell, lives in a Long Island mansion but is markedly less happy, since his fiancée Jane won't discourage her other admirers. Fleeing in his car, Jack ends up in an urban block party where he meets you-know-who.Written by
Rod Crawford <firstname.lastname@example.org>
(at around 1h) We see a piece of paper that reads "Wednesday, July 10th 1929", then a few minutes later we see an invitation to an affair that reads "Monday, July 12th 1929". Actually, the 10th did fall on Wednesday that year, but the 12th fell on the following Friday. See more »
This is a unique film in the history of musicals. Neither of the leads can sing; most of the dancing, whether by the stars or chorus girls, is rudimentary at best; the story is a familiar litany of 1920's stage cliches, and was dated almost immediately. Yet, it is utterly charming and effective. Part of this has to do with the appealing cast (particularly Janet Gaynor), but most of the credit goes to songwriter/producers DeSylva Brown & Henderson, and director David Butler. The music is integrated into the story in a dramatically sophisticated and cinematically daring way. The production number "Turn On the Heat" is, conceptually, a model for what Busby Berkeley would do in the 1930's.
If your only exposure to early musicals is that award-winning dud "The Broadway Melody", check out "Sunny Side Up" (or, for that matter, "The Love Parade"). You'll be pleasantly surprised.
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