A feud, the origins of which can barely be remembered, has been boiling for decades between two sheltered mountain families, the Tollivers and the Falins. With plans to build a railroad ... See full summary »
Fugitive bank robber Joe Maybe steals the identity of a marshal and rides into a town whose judge asks Joe to act as town marshal but an old flame almost betrays his real identity forcing Joe to claim she's his wife.
Molly Wood arrives in a small western town to be the new schoolmarm. The Virginian, foreman on a local ranch, and Steve, his best fiend, soon become rivals for her affection. Steve falls in with bad guys led by Trampas, and the Virginian catches him cattle rustling. As foreman, he must give the order to hang his friend. Trampas gets away, but returns in time for the obligatory climactic shootout in the streets.Written by
John Oswalt <email@example.com>
Gary Cooper's first all-talking film. He felt that sound would ruin him, believing his voice was not adequate to the task. This film turned him from a promising young leading man into a star, although he was not considered a superstar until Mr. Deeds Goes to Town (1936). See more »
When the posse spots the rustlers, The Virginian says that the posse will split into three parties, then splits them only in two. See more »
"The Virginian" is one of the first well-known western "talkies." Released in 1929 and starring Gary Cooper who later became one of the great heroes of the western genre, this movie contains all of the archetypal elements of classic western films. There is a lone hero who answers to his own moral code defined by his environment(the frontier). A "schoolmarm" from out East comes to civilize the West through education, and her values come into conflict with the hero she falls in love with. And there is a villain who abides by no moral code, who must be defeated by the hero to uphold his honor and his values.
The classic representations of good and evil through black and white are used extensively and effectively in this film. Cooper always wears white, the villain(Huston) always wears black. However, the most morally ambiguous character, Cooper's friend Steve, always wears a mixture of the colors, and as he continues down a dark path, his colors become darker and less ambivalent.
This is a pretty good movie, particularly the hanging scene, the shootout at the end, and basically any interaction between Cooper and Huston. What makes the movie even more entertaining and fascinating to watch is its context. This movie is considered to be one of the very first westerns to represent the classic elements of the western genre, and its influence on later westerns is quite clear. For film students and fans of the western genre alike, this is a fun film to watch and thoroughly enjoyable. (Note: very interesting comparisons can be made to later westerns, particularly "Shane" and another Cooper film, "High Noon")
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