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Runaway Bride (1930)

Passed | | Crime, Drama, Romance | 4 May 1930 (USA)
A young socialite and a rich playboy elope to Atlantic City. However, she soon realizes he's not the man she wants him to be and tries to call off the wedding. A jewelry store robbery, murder and other mayhem are soon involved.

Director:

Donald Crisp

Writers:

H.H. Van Loan (play), Lolita Ann Westman (play) | 1 more credit »
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Cast

Complete credited cast:
Mary Astor ... Mary Gray - aka Sally Fairchild
Lloyd Hughes ... George Edward Blaine
Paul Hurst ... Sergeant Daly
David Newell ... Richard 'Dick' Mercer
Natalie Moorhead ... Clara Muldoon
Edgar Norton ... Williams - Blaine's Butler
Francis McDonald ... Barney Black
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Storyline

A young socialite and a rich playboy elope to Atlantic City. However, she soon realizes he's not the man she wants him to be and tries to call off the wedding. A jewelry store robbery, murder and other mayhem are soon involved.

Plot Summary | Add Synopsis

Taglines:

An All-Talking Dramatic Smash! (original poster) See more »

Genres:

Crime | Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

4 May 1930 (USA) See more »

Also Known As:

Cooking Her Goose See more »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Photophone System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

This was the final film directed by Donald Crisp. Although he was a prolific director of silent films, this was the only sound film that he ever directed. From this point onwards, he worked exclusively as an actor until his retirement after the filming of Spencer's Mountain (1963). See more »

Goofs

When Mary (posing as Sally, the new cook) arrives at Blaine's house in the rain, her coat and hat are almost completely dry. Then, when the butler shows her in to meet Blaine, Mary's hat and coat show considerable areas of wetness. See more »

Quotes

George Edward Blaine: So, are you taking up cooking as a career?
Mary Gray - aka Sally Fairchild: Yes. You see, well, I tried working in department stores. But, it's so hard living on 20 a week.
See more »

Soundtracks

Lovable and Sweet
(1929) (uncredited)
Music by Oscar Levant
(originally for Street Girl (1929))
Played during opening credits by Gus Arnheim and His Orchestra
See more »

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User Reviews

 
Like multiple bad movies all tossed together!
4 June 2010 | by MartinHaferSee all my reviews

Wow...this is one of the strangest first half hours of any film I have ever seen. Believe it or not, the first 15 minutes of the film have just about NOTHING to do with where the film goes next--and in the process, it strains credibility WAAAY past the breaking point! The film begins with Mary Astor being driven by a fiancé who is an irresponsible thrill-seeker. Again and again, he nearly gets them killed by his reckless and super-high speed driving. Yet, despite this, she STILL plans on marrying the jerk--which irritated me quite a bit.

Eventually, Mary starts to have doubts about following through with the marriage--but his driving (oddly) didn't seem to be the final straw. Here is where things get really, really contrived--and rather crazy!! The fiancé steps out of the room they rented and Mary somehow gets locked in the place. In the meantime, a detective stops by and demands to be let in--and she lies that she's not dressed when all she really needed to say was she couldn't get out of the room! And, by the way, did he stop by and why did she lie?! This made no sense--nor did it make sense when, out of the blue, a criminal climbs into the room between the time the detective knocks on the door and before he returns with a pass key!! What are the odds?!? And, in the process, the criminal shoots a cop who is chasing him!!! So, Mary is locked in a room, a detective stops by BEFORE there is a crime committed, a real crime is then committed and the criminal chooses this particular room for a hideout, the crook shoots and kills another cop before he is also shot dead, but before dying he hides the loot in Mary's bag!!!! If all this doesn't sound utterly ridiculous, it gets worse! After the detective leaves but before he returns with the pass key, the maid arrives and lets Mary out of the room. Now what would any SANE person do? Well, according to this film, you pay the maid a fortune (for 1930) and take a job the maid was going to take in another part of town--going undercover to avoid the cops even though you'd done NOTHING (other than appear in a bad film). All this mess involving the police occurred in only about eight minutes in the film!! The next portion of the film is like yet another film crammed into one very, very busy movie.

Mary is now a cook and the bachelor for whom she is working is very taken by her--and it's PAINFULLY obvious that they will fall in love by the end of the film. Why couldn't they have just kept the first portion of the film with the irresponsible fiancé and this section where she becomes the cook for this swell guy? After all, the intervening portion is just too goofy and stupid...and really undoes the entire film. Overall, the impact is very poor--and a movie that isn't really worth your time unless you LIKE 3rd rate films with occasionally bad sound (which was not terribly uncommon for an early talking picture). It's a bad film for so many reasons...but rarely is it boring!!


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