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Frankenstein (1931)

Passed | | Drama, Horror, Sci-Fi | 21 November 1931 (USA)
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ON DISC
An obsessed scientist assembles a living being from parts of exhumed corpses.

Director:

James Whale

Writers:

John L. Balderston (based upon the composition by), Mary Shelley (from the novel by) (as Mrs. Percy B. Shelley) | 4 more credits »
4 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Colin Clive ... Henry Frankenstein
Mae Clarke ... Elizabeth
John Boles ... Victor Moritz
Boris Karloff ... The Monster (as ?)
Edward Van Sloan ... Doctor Waldman
Frederick Kerr ... Baron Frankenstein
Dwight Frye ... Fritz
Lionel Belmore ... The Burgomaster
Marilyn Harris ... Little Maria
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Storyline

Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again. Written by Josh Pasnak <chainsaw@intouch.bc.ca>

Plot Summary | Plot Synopsis

Taglines:

The Man Who Made A Monster! See more »

Genres:

Drama | Horror | Sci-Fi

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Latin

Release Date:

21 November 1931 (USA) See more »

Also Known As:

Франкенштейн See more »

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Box Office

Budget:

$291,000 (estimated)

Gross USA:

$12,000,000
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

John Carradine turned down the part of the Monster because he considered himself too highly trained to be reduced to playing monsters. See more »

Goofs

When Dr. Frankenstein and the Monster are fighting atop the burning windmill in medium shot, both their outlines shimmy, revealing the primitive (yet effective) matte process that put the stormy sky behind them. See more »

Quotes

[first lines]
Dr. Henry Frankenstein: Down! Down, you fool!
See more »

Crazy Credits

The closing credits start with "A GOOD CAST IS WORTH REPEATING...". The first four actors' names are listed in all caps-sans serif font with the "S" in John Boles & Boris Karloff plus in CAST & IS tilted to the right 45 degrees. The remaining 5 cast members have their names listed in Serif font with both Caps & lower case letters. See more »

Alternate Versions

In current prints, for the first time since the film's original release, Dr. Frankenstein can clearly be heard exclaiming, "Now I know what it feels like to be God!", as the Monster first shows signs of life. In the previous "restored" version, this line was obscured by a clap of thunder, and in all prints made after 1934 up until the film's restoration to full-length, the line was cut by censors. See more »

Connections

Referenced in The Angry Video Game Nerd: A Nightmare on Elm Street (2006) See more »

Soundtracks

Grand Appassionato
(uncredited)
Music by Giuseppe Becce
[End title & end cast music]
See more »

Frequently Asked Questions

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User Reviews

 
"Crazy, am I? We'll see whether I'm crazy or not."
24 May 2006 | by bensonmum2See all my reviews

Revisiting Frankenstein is always a wonderful experience. I watch it today with the same enthusiasm and awe I did nearly 35 years ago. Everything about the film is so perfect. Acting, direction, cinematography, set design, plot, dialogue, special effects, etc. are top notch. And although each of these areas deserves to be discussed in detail (and have in the volumes that have been written on Frankenstein), I'll focus on two areas that really standout to me - Boris Karloff as the monster and James Whales direction.

Is there a more iconic image in horror than Boris Karloff as the Frankenstein monster? I sincerely doubt it. Even those who wouldn't be caught dead watching a horror film are familiar with that image. Beyond Jack Pierce's make-up, Karloff is amazing in the role. Even with the make-up, Karloff gives the monster life. We are able to see and feel the emotions the monster goes through. There is no better example than the scene with the monster and the little girl. As the monster stumbles out of the woods, there is a cautious look about him as his experiences with humans have thus far been less than satisfactory. But when the little girl accepts him and wants to play with him, the look of caution is transformed into a look of utter happiness. He smiles, he laughs, and he plays. But that emotion is replaced by one of confusion mixed with anger when he accidentally kills the girl. It's all there on Karloff wonderful face. It's this life that Karloff imbibes in the monster that makes Frankenstein a real classic.

I've always thought that James Whale's direction was ahead of its time. In an era when directors were using what I call the "plant and shoot" method of filming, Whale made his camera a fluid part of the action. Whale takes the viewer beyond just watching moving images. He uses the camera to take the viewer into the scene. A small example is the way Whale filmed characters moving from one room to the next. The camera moves with the characters. Another example is the tracking shot Whale uses as the father carries his dead child into the town. As I said earlier, it has a fluidity in the way Whale filmed these scenes that makes it seem more natural. Finally, the way Whale introduces the monster is a highlight of the film. The monster backs into the room. As he turns, Whale shows the monster with three quick, ever tighter shots, ending with a close-up of the monster's face. Every Hollywood star of that era could have only wished for an introduction like that.

While I have done nothing but praise Frankenstein, I'm not such a fan that I can't spot flaws in the film. The major issue with me has always been the way the scenes of action, horror, and violence are inter-cut with scenes of tranquility and bliss. I realize that was the way things were done in the 30s so people wouldn't, in essence, overload on horror, but it can make the film seem a little disjointed. But it's difficult to hold Whale overly responsible for this custom of the period.


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