During World War I, a young nurse in a hospital in German-occupied Belgium is secretly feeding military information to the British. Complicating matters is the guilt she feels when she has ... See full summary »
Alexander Korda's bit for the British war effort shows the world both at peace and on the verge of Nazi domination. Spliced together to form a documentary-style movie of both newsreel and ... See full summary »
A wave of sabotage has been sweeping England, taking lives and creating instability. Cmdr. Robert Brennan and Supt. Folland of the Special Branch and Major Elliott of MI5 are charged with putting an end to this internal terrorism.
cast talent compensates for bargain-basement budget
A morally ambiguous thriller which asks us to consider the notion of "good" crime - the film's hero commits several extremely serious offenses! The film provides an interesting insight into the crises of both conscience, and in the negative social consequences, of market capitalism during the Great Depression. Matheson Lang appears to be running on autopilot, but Constance Cummings acts well and looks superb. Her boyfriend shows the timelessness of the cardboard- cutout matinée idol: his vapidity matches that of Leonardo Di Caprio in "Titanic". The extensive use of fog helps mask the Depression-era poverty of British film sets, and the clever use of stock ferry-crossing characters keeps the narrative moving: quite a challenge with such a slender plot line. Film-rep performers like Nigel Bruce have enough talent on show to build plot density, but the use of repeated footage (one foghorn shot used a tedious number of times) shows how few pennies there were to spend in an overtaxed and exhausted industry. Dashed good fun nonetheless, and worth several viewings.
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