Pecos Grant rides into a strange town only to find that everyone recognizes him, not as Pecos Grant, but as a presumed-dead man named Rawlins. Even Rawlins' wife thinks her husband has come back. Pecos sets out to solve the mystery.
The Eagle uses sky writing to make threats against a corporation. Nathan Gregory owns a traveling fairground and is thought to be the Eagle. Craig McCoy is a pilot who goes looking for the Eagle when Gregory turns up missing.
B. Reeves Eason
Prizefighter Jimmy Dolan accidentally kills a man at a party and escapes. He hides out at a health farm for invalid children and begins to lose his cynicism under the influence of the ... See full summary »
Douglas Fairbanks Jr.,
John Drury saves Duke, a wild horse accused of murder, and trains him. When he discovers that the real murderer, a bad guy known as The Hawk, is the town's leading citizen, Drury arrested on a fraudulent charge.
Stag Bailey, a slow-witted prizefighter, and his girlfriend, speakeasy hostess Puff Rogers, take over the upbringing of Ted Streaver after his father, Stag's manager, is killed. Ted is a bright boy, bound for college, but he wants to become a prizefighter. Stag and Puff set out to dissuade him.Written by
Jim Beaver <firstname.lastname@example.org>
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
In this unusual Pre-Code film, Slag Bailey (George Bancroft) and Puff (Wynne Gibson) aren't exactly high class folks. Slag is a boxer and Puff is a lounge singer. As for Slag, his career in the boxing ring falls apart when he is overconfident and beaten by a young guy (John Wayne in one of his earliest roles). At about the same time, Slag's beloved manager (James Gleason) is killed...and only a short time later, the manager's son shows up! Instead of sending the boy to an orphanage or giving him to the police, he and Puff decide to pretend to be husband and wife and raise the boy. Puff agrees to do this for a year...which stretches into several years...which stretches to getting the boy into college.
There's not a lot of plot other than that. This is NOT a bad thing, as instead it's an excellent character study about two folks who sacrifice themselves and do good by the boy. Good acting and an interesting script make this an odd but entertaining flick.
So how exactly does this fit Pre-Code sensibilities? Well, no one knows it but Puff and Slag live as husband and wife and only get around to marrying after more than a decade of cohabitation! This is something you NEVER could have seen in the post 1934 Post-Code films...no way!
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