In 1921 a field expedition in Egypt discovers the mummy of ancient Egyptian prince Im-Ho-Tep, who was condemned and buried alive for sacrilege. Also found in the tomb is the Scroll of Thoth, which can bring the dead back to life. One night a young member of the expedition reads the Scroll out loud, and then goes insane, realizing that he has brought Im-Ho-Tep back to life. Ten years later, disguised as a modern Egyptian, the mummy attempts to reunite with his lost love, an ancient princess who has been reincarnated into a beautiful young woman.Written by
Jeremy Lunt <firstname.lastname@example.org>
The script was originally called "Cagliostro", based on the famous French "prophet"/charlatan who claimed that he had lived for several centuries. It was then rewritten to profit from the love of all things Egyptian since the finding of King Tut's tomb, re-titled first "The King of the Dead," then later "Imhotep"; it only became "The Mummy" just before general release. See more »
The film was copyrighted 14 December 1932 but on the opening title it bears a 1933 (MCMXXXIII) copyright statement, apparently because the title credits were designed in advance, in anticipation of a later release. See more »
Stuck in the desert for two months, and was it hot! That tomb...
Surely you read about the princess?
So you did that.
Yes. The fourteen steps down and the unbroken seals were thrilling. But when we came to handle all her clothes and her jewels and her toilet things - you know they buried everything with them that they used in life? - well, when we came to unwrap the girl herself...
How could you do that?
Had to! Science, you know. Well after we'd worked among her things, I felt as if...
[...] See more »
Boris Karloff plays Imhotep, a cursed Egyptian buried alive 3700-years-ago, returns to life to claim the reincarnation of his lost-love in this Universal classic. Moody, understated and succinct, The Mummy is one of the best films from Universal's classic horror period. Although much of the success can be credited to first time director Karl Freund, who normally worked as a top cinematographer, and the brilliant make-up artist Jack P. Pierce, it is Boris Karloff who gives the film its resonance. As he previously did with the Frankenstein monster, Karloff imbues this character with an aching sense of humanity which was completely absent later incarnations of the Mummy character. Credit must also be given to the able supporting cast including Zita Johann and the always reliable Edward Van Sloan. Now here's a question. Is the film scary by today's standards? I guess I'd have to say not really. However, I just watched this film again after seeing the American version of 'The Grudge.' 'The Grudge' certainly had me jumping more, but which film did I enjoy more? It'd have to be 'The Mummy.'
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