A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
Idealistic attorney Anton Adam makes headlines when he successfully prosecutes a prominent New York racketeer named Gilmurry. Adam's sudden renown attracts the attention of high-profile ... See full summary »
Conditions are spartan on Dennis Carson's Indochina rubber plantation during a dusty dry monsoon. The latest boat upriver brings Carson an unwelcome guest: Vantine, a floozy from Saigon, hoping to evade the police by a stay upcountry. But Carson, initially uninterested, soon succumbs to Vantine's ostentatious charms...until the arrival of surveyor Gary Willis, ill with malaria, and his refined but sensuous wife Barbara. Now the rains begin, and passion flows like water...Written by
Rod Crawford <email@example.com>
Once an audience poll suggested that America's moviegoers held a great deal of sympathy for the recently-widowed Jean Harlow, whose husband Paul Bern committed suicide just three months into their marriage, Louis B. Mayer encouraged director Victor Fleming to complete the picture quickly so the studio could capitalize on the audience's goodwill. This was quite the reversal of attitudes, as Mayer had initially tried to replace Harlow for fear that her husband's suicide (which occurred under suspicious circumstances) would harm the film's box office returns. See more »
When Clark Gable and Gene Raymond are in the tree while hunting, after the line: 'this would be a bad country to raise children in, wouldn't it?', the cloud in the background changes dramatically. See more »
Erotically highly charged melodrama that fairly sizzles, even today, more than 70 years later. Cinematography has a plasticity and a sheen to it that makes the film gorgeous to look at, editing is highly efficient and gets the job done and the story told, and the acting is fabulous. I wasn't prepared for the physical impact of the young Gable, how he makes absolutely no excuses for his raw sexuality and libido and how amazingly attractive he was. Harlow as well, I was prepared to find her vulgar and shallow, but she was quite good and certainly had a chemistry thing going with Gable.
Recommended, and please, all of you insisting that this is an inexcusably racist picture, any work of art needs to be judged by its own unique standards, and those of its time. Racism in movies today is a lot subtler, but certainly exists just like it did in the early 30s, and politics or no politics it doesn't detract from the greatness of this genre movie.
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