7.8/10
23,022
362 user 72 critic

Scarface (1932)

PG | | Action, Crime, Drama | 9 April 1932 (USA)
An ambitious and nearly insane violent gangster climbs the ladder of success in the mob, but his weaknesses prove to be his downfall.

Directors:

Howard Hawks, Richard Rosson (co-director)

Writers:

Armitage Trail (based on the novel by), Ben Hecht (screen story) | 6 more credits »
Reviews

Watch Now

From $3.99 on Prime Video

ON DISC
2 wins. See more awards »

Photos

Learn more

More Like This 

Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A young hoodlum rises up through the ranks of the Chicago underworld, even as a gangster's accidental death threatens to spark a bloody mob war.

Director: William A. Wellman
Stars: James Cagney, Jean Harlow, Edward Woods
Little Caesar (1931)
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A small-time criminal moves to a big city to seek bigger fortune.

Director: Mervyn LeRoy
Stars: Edward G. Robinson, Douglas Fairbanks Jr., Glenda Farrell
Certificate: Passed Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Wrongly convicted James Allen serves in the intolerable conditions of a southern chain gang, which later comes back to haunt him.

Director: Mervyn LeRoy
Stars: Paul Muni, Glenda Farrell, Helen Vinson
Certificate: Passed Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A priest tries to stop a gangster from corrupting a group of street kids.

Director: Michael Curtiz
Stars: James Cagney, Pat O'Brien, Humphrey Bogart
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Three men attempt to make a living in Prohibitionist America after returning home from fighting together in World War I.

Director: Raoul Walsh
Stars: James Cagney, Humphrey Bogart, Priscilla Lane
White Heat (1949)
Action | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

A psychopathic criminal with a mother complex makes a daring break from prison and leads his old gang in a chemical plant payroll heist. Shortly after the plan takes place, events take a crazy turn.

Director: Raoul Walsh
Stars: James Cagney, Virginia Mayo, Edmond O'Brien
Stagecoach (1939)
Adventure | Drama | Western
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo and learn something about each other in the process.

Director: John Ford
Stars: John Wayne, Claire Trevor, Andy Devine
Frankenstein (1931)
Certificate: Passed Drama | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

An obsessed scientist assembles a living being from parts of exhumed corpses.

Director: James Whale
Stars: Colin Clive, Mae Clarke, Boris Karloff
Red River (1948)
Certificate: Passed Action | Adventure | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Dunson leads a cattle drive, the culmination of over 14 years of work, to its destination in Missouri. But his tyrannical behavior along the way causes a mutiny, led by his adopted son.

Directors: Howard Hawks, Arthur Rosson
Stars: John Wayne, Montgomery Clift, Joanne Dru
King Kong (1933)
Certificate: Passed Adventure | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.

Directors: Merian C. Cooper, Ernest B. Schoedsack
Stars: Fay Wray, Robert Armstrong, Bruce Cabot
Drama | Horror | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Mary Shelley reveals the main characters of her novel survived: Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate.

Director: James Whale
Stars: Boris Karloff, Elsa Lanchester, Colin Clive
Hell's Angels (1930)
Certificate: Passed Drama | War
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Brothers Monte and Ray leave Oxford to join the Royal Flying Corps. Ray loves Helen; Helen enjoys an affair with Monte; before they leave on their mission over Germany they find her in still another man's arms.

Directors: Howard Hughes, Edmund Goulding, and 1 more credit »
Stars: Ben Lyon, James Hall, Jean Harlow
Edit

Cast

Complete credited cast:
Paul Muni ... Tony Camonte
Ann Dvorak ... Cesca Camonte
Karen Morley ... Poppy
Osgood Perkins ... Johnny Lovo
C. Henry Gordon ... Police Inspector Guarino
George Raft ... Guino Rinaldo
Vince Barnett ... Angelo
Boris Karloff ... Tom Gaffney
Purnell Pratt ... Mr. Garston - Publisher
Tully Marshall ... Managing Editor
Inez Palange Inez Palange ... Tony's Mother
Edwin Maxwell ... Detective Chief
Edit

Storyline

Johnny Lovo rises to the head of the bootlegging crime syndicate on the south side of Chicago following the murder of former head, Big Louis Costillo. Johnny contracted Big Louis' bodyguard, Tony Camonte, to make the hit on his boss. Tony becomes Johnny's second in command, and is not averse to killing anyone who gets in his and Johnny's way. As Tony is thinking bigger than Johnny and is not afraid of anyone or anything, Tony increasingly makes decisions on his own instead of following Johnny's orders, especially in not treading on the north side run by an Irish gang led by a man named O'Hara, of whom Johnny is afraid. Tony's murder spree increases, he taking out anyone who stands in his and Johnny's way of absolute control on the south side, and in Tony's view absolute control of the entire city. Tony's actions place an unspoken strain between Tony and Johnny to the point of the two knowing that they can't exist in their idealized world with the other. Tony's ultimate downfall may be... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

THE LOVE LIFE...THE BLOOD SECRETS...OF A SWAGGERING BUTCHER OF MEN! (Print ad- Herald Statesman, ((Yonkers, NY)) 26 July 1932) See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

USA

Language:

English

Release Date:

9 April 1932 (USA) See more »

Also Known As:

Scarface, the Shame of the Nation See more »

Edit

Box Office

Cumulative Worldwide Gross:

$1,308,000
See more on IMDbPro »

Company Credits

Production Co:

The Caddo Company See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

This is one of the first films to feature the Thompson submachine gun, known to history as the "tommy gun." The characters never call it anything other than "machine gun," except when Poppy calls it a "bean shooter" and Tommy refers to the gun as a "typewriter" when he first sees one. Another name for a "tommy gun" was "Chicago typewriter." See more »

Goofs

When Poppy visits Tony, she holds the flower, but Tony has it in the next shot. See more »

Quotes

Tony Camonte: I get you a hunk of soap, you take a bath in it.
See more »

Crazy Credits

"This picture is an indictment of gang rule in America and of the callous indifference of the government to this constantly increasing menace to our safety and our liberty. Every incident in this picture is the reproduction of an actual occurence, and the purpose of this picture is to demand of the government: "What are you going to do about it?". The government is your government. What are YOU going to do about it? See more »

Alternate Versions

Due to censorship requirements in several states, a second ending was shot after the film was finished, in which Camonte doesn't try an escape, but is sentenced to death and finally executed on the gallows. This alternate ending was shown only during the original 1932 theatrical run in certain states. All prints, home video, and television versions in current circulation use director Howard Hawks' ending, in which Camonte tries to escape and is shot down. The DVD includes the alternate ending as a bonus feature. See more »

Connections

Referenced in The Sopranos: Proshai, Livushka (2001) See more »

Soundtracks

St. Louis Blues
(1914)
Written by W.C. Handy
Played by Gus Arnheim and His Orchestra for dancing
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Preferred far more than the remake; Hawks, Hecht, and Muni are first-rate here
22 January 2005 | by Quinoa1984See all my reviews

In an attempt to try and snap some sense into the public and the government about the crime wave (mostly in due to Al Capone, who was a major inspiration for Tony Camonte), Howard Hughes and Howard Hawks brought to the screen one of the landmark early gangster pictures.

It's a film that does take its subject seriously (while on one hand one argues that the film is an indictment of crime and peoples responses, one could also argue that it's a subtle indictment of the prohibition), however it's also an exciting, and sometimes wickedly funny, take on a genre that would flourish in the thirties and forties. What comes most surprising (and I mean that as a big compliment) is how it hasn't lost much of its vitality in seventy years. The implied violence in the film is, in fact, shocking in places, and while it lacks the blood content and major shocks of the De Palma remake, it doesn't compromise to showing the (slightly Hollywood-ized) truth of the matter- crime doesn't pay, but sometimes it's all people know.

Tony Camonte is played by Paul Muni, in a performance that wonderfully ranges from angry to sarcastic, funny to romantic, and just down-right crazy; it's no wonder that Pacino was inspired by his performance to take on Tony Montana in the remake (though one could argue that Muni's bravura presence and delivery in this film out-ranks Pacino's in the later). He is surrounded by supporting players that also give very good work as well, with the story being told in various threads that work perfectly. There's one semi-comic story around one of Camonte's assistants who is rather illiterate and slow (though it's also a subtle commentary on the lack of prospects for immigrants at the time). Another (which was given much prominence in the remake) involves the power-struggle between Tony and his younger sister. And then there's the good-old mixture of solid, fascinating bits with the cops and other criminals, not to mention a boss that has to control Tony's manic ideals of taking over the city (and, perhaps, the world).

I once heard Quentin Tarantino in an interview say that Howard Hawks is the 'single greatest storyteller in the history of cinema'. Although that could be a heavily debatable statement, with this film Hawks proves that he definitely can do so very well, and of the few I've seen of his so far, this is my favorite. On the technical side of things, some of the technique is very straight-forward, but then there is also proof that Hawks was a step-ahead of the crowd that would bloom out in the film-noir period a decade later. Shadows used with a fine flair; great over-head and dead-on shots of cars riding and shooting; a couple of really keen close-ups.

Add to that a script from Hecht that doesn't go too deep into character for too long, and you got your basic powerhouse gangster picture. And, believe me, it's a must-see if you're into the genre, or if you'd like to have a comparison test with the highly revered remake.


75 of 93 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 362 user reviews »

Contribute to This Page

Stream Trending Movies With Prime Video

Enjoy a night in with these popular movies available to stream now with Prime Video.

Start your free trial



Recently Viewed