7.5/10
6,444
58 user 41 critic

The Gay Divorcee (1934)

Approved | | Comedy, Musical, Romance | 12 October 1934 (USA)
An American woman travels to England to seek a divorce from her absentee husband, where she meets - and falls for - a dashing performer.

Director:

Mark Sandrich

Writers:

Dwight Taylor (from the book by), Kenneth S. Webb (musical adaptation) (as Kenneth Webb) | 4 more credits »
Reviews
Won 1 Oscar. Another 5 nominations. See more awards »

Photos

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Cast

Complete credited cast:
Fred Astaire ... Guy Holden
Ginger Rogers ... Mimi Glossop
Alice Brady ... Aunt Hortense
Edward Everett Horton ... Egbert 'Pinky' Fitzgerald
Erik Rhodes ... Rodolfo Tonetti
Eric Blore ... The Waiter
Lillian Miles Lillian Miles ... Singer - Continental Number
Charles Coleman ... Guy's Valet
William Austin ... Cyril Glossop
Betty Grable ... Dance Specialty - Knock Knees
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Storyline

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Musical Triumph Of Two Continents See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | French | Italian

Release Date:

12 October 1934 (USA) See more »

Also Known As:

The Gay Divorcee See more »

Filming Locations:

Santa Monica, California, USA See more »

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Box Office

Budget:

$520,000 (estimated)

Cumulative Worldwide Gross:

$5,418
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Victor System) (as R C A Victor System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

This film has a 100% rating on Rotten Tomatoes based on 12 critic reviews. See more »

Goofs

When Hortense first meets Tonetti, she is wearing a black cape. When she goes back upstairs to warn Mimi that she might have the wrong man in her room, she doesn't have the cape on. Then when she returns downstairs and talks to Egbert, she's wearing the cape again. See more »

Quotes

Waiter: Pardon, you, you uh rang sir?
Egbert Fitzgerald: Who me? Well, my dear fellow, what is there here to ring with?
Waiter: Pardon sir, that's just a figure of speech.
Egbert Fitzgerald: Oh, oh. Uhuh. Well, bring me a... let me have a... eh, there there. You see? Your figure of speech has made me forget entirely what I wanted.
Waiter: Could it have been that you require crumpets?
Egbert Fitzgerald: No no no, I never ring for crumpets.
Waiter: Would you be the kind of man who would ring for a toasted scone, sir?
Egbert Fitzgerald: Scone? Well, now uh, no. no. Try me again.
Waiter: Well, then could you, ...
[...]
See more »

Alternate Versions

In the version of The Gay Divorcee released in Brazil in the 1930s, the Brazilian actor Raul Roulien sang in the musical number "The Continental". See more »

Connections

Featured in Great Performances: The Fred Astaire Songbook (1991) See more »

Soundtracks

Night and Day
(1932)
Music and Lyrics by Cole Porter
Played during the opening credits
Song and dance performed by Fred Astaire , Ginger Rogers
See more »

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User Reviews

"Distinct Tendencies Towards Terpsichorean Excellence"
14 March 1999 | by stryker-5See all my reviews

Guy Holden, the celebrated stage dance star, is touring Europe on vacation. Mimi Glossop is a rich American living in London and is currently in the throes of a divorce. They meet, they dance, they fall in love.

Ginger Rogers was by far the bigger cinema star when RKO Radio teamed her with Fred. She had appeared in 34 films to his 3, and two in the previous year had been smash hits - "Golddiggers" and "42nd Street". This loose borrowing from Cole Porter's Broadway show contains only one of the master's songs, the immortal "Night And Day", and only four other songs in the entire movie - Conrad & Magidson's "Needle In A Haystack" and "The Continental", and Gordon & Revel's "Don't Let It Bother You" and "Let's K-nock K-nees" (featuring an 18-year-old Betty Grable, who had herself featured in no less than eight films in the previous year).

At the depth of the Depression, this sort of film was all the rage - a fantasy of carefree opulence and ease, set in a world of Parisian floorshows, ocean liners and tuxedos. The wit is sharp and the mood flirtatious. What if the film-makers hadn't the first clue about how an English barrister conducts his cases? This is about romance, not professional ethics. What if the terrain of Brighton isn't an igneous intrusion, but in fact a sedimentary accretion? This is about two people's sublime dancing, not geology.

Fred is as always the quintessence of style, a naturally elegant creature, and Ginger is gorgeous. The plot is very well constructed, containing all the misunderstandings associated with musical farce, but developing them with panache. The denouement is both neat and unexpected. There are plenty of girls dancing in the usual geometric patterns, but there is also abundant creativity in the choreography - the playful steps in "The Continental", for example, or Fred's reluctant dance for his supper. Mimi is trying to resist Guy, and has to be drawn into "Night And Day" against her will - an instance of character being expressed through dance. Max Steiner's arrangement of this number is glorious, with its 'tacit', and the swelling fortissimos, and a dainty countermelody in the strings. Ginger sings "The Continental" like an angel, nicely ragging the time.

Inconsequential? No doubt. Frothy? Certainly. A joy to watch? Definitely!


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