7.5/10
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58 user 41 critic

The Gay Divorcee (1934)

Approved | | Comedy, Musical, Romance | 12 October 1934 (USA)
An American woman travels to England to seek a divorce from her absentee husband, where she meets - and falls for - a dashing performer.

Director:

Mark Sandrich

Writers:

Dwight Taylor (from the book by), Kenneth S. Webb (musical adaptation) (as Kenneth Webb) | 4 more credits »
Reviews
Won 1 Oscar. Another 5 nominations. See more awards »

Photos

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Cast

Complete credited cast:
Fred Astaire ... Guy Holden
Ginger Rogers ... Mimi Glossop
Alice Brady ... Aunt Hortense
Edward Everett Horton ... Egbert 'Pinky' Fitzgerald
Erik Rhodes ... Rodolfo Tonetti
Eric Blore ... The Waiter
Lillian Miles Lillian Miles ... Singer - Continental Number
Charles Coleman ... Guy's Valet
William Austin ... Cyril Glossop
Betty Grable ... Dance Specialty - Knock Knees
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Storyline

Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (Brighton) and she thinks he is the correspondent. The plot is really an excuse for song and dance. The movie won three Academy nominations and the first Oscar for Best Song: "The Continental", a twenty-two minute production number. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

Introducing the new dance sensation "The Continental" See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | French | Italian

Release Date:

12 October 1934 (USA) See more »

Also Known As:

Continental See more »

Filming Locations:

Santa Monica, California, USA See more »

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Box Office

Budget:

$520,000 (estimated)

Cumulative Worldwide Gross:

$5,418
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Victor System) (as R C A Victor System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Advertisements for the film touted Fred Astaire and Ginger Rogers as "The King and Queen of the Carioca" in reference to their previous film, Flying Down to Rio (1933). See more »

Goofs

Guy Holden, Mimi Glossop and Rodolfo Tonetti are eating grapefruit at breakfast when Egbert Fitzgerald and Aunt Hortense enter the room. In the next shot Guy has his elbow on the table with his hand on his head, which immediately changes back to Guy eating his grapefruit as before. See more »

Quotes

Mimi: You?
Guy: [looking around] Yes. It's me.
See more »

Alternate Versions

In the version of The Gay Divorcee released in Brazil in the 1930s, the Brazilian actor Raul Roulien sang in the musical number "The Continental". See more »

Connections

Referenced in Roberta (1935) See more »

Soundtracks

Let's K-nock K-nees
(1931)
Music and Lyrics by Mack Gordon and Harry Revel
Song performed by Betty Grable and Edward Everett Horton
Dance performed by Betty Grable, Edward Everett Horton, chorus
See more »

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User Reviews

The Continental!
20 August 2004 | by didi-5See all my reviews

The superb Fred and Ginger series always ended with a big, big set piece where the two of them could dance, and 'The Gay Divorce(e)' is no exception. This time it is 'The Continental', which allows half of what passes for Brighton to join in the dance.

Not the most original of plots, this movie teamed the leads together for the second time (the first time they led the cast though). Both are terrific, and Fred's dancing throughout is a treat. Ginger is her usual bouncy self, all wisecracks and big eyes, and good on her feet. They're ably supported by Edward Everett Horton (as 'Aunt' Egbert), Alice Brady (the towering matriach, Rogers' aunt), Eric Blore (as an irritating waiter who likes talking about rocks and playing with words), Erik Rhodes (as a daft Italian), and Betty Grable (as a hotel guest who has a terrific number with Horton, 'Let's K-knock K-knees').

As you might guess, the story revolves around a divorce, which might be a gay one (in the 1930s definition of the word, of course), and, as so often in this series, mistaken identities. Tiny roles go to William Austin (as Rogers' blustering geologist hubby), and Lilian Miles (an Alice Faye lookalike who gets to reprise 'The Continental' all to herself).

This is one of the better entries in the series, ably directed by Mark Sandrich, and featuring a mix of songs including Cole Porter's 'Night and Day', and the jaunty 'Looking for a Needle in a Haystack'.


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