Western sheriff Bob Wells is preparing to marry Sally Morgan; she loves part-Indian Wanenis, whose race is an obstacle. Sally flees the wedding with hypochondriac Henry Williams, who thinks... See full summary »
A small country on the verge of bankruptcy is persuaded to enter the 1932 Los Angeles Olympics as a means of raising money. Either a masterpiece of absurdity or a triumph of satire, ... See full summary »
Immigrant radical Bartolomeo Romagna is falsely condemned and executed for a payroll robbery. Years later, his son Mio sets out to find the truth of the crime and to bring to account the ... See full summary »
Reporter Dan Collins tries to expose a crooked gambling ring, but is waylaid by Geraldine Sloane, a feisty young heiress who feels Collins has insulted her. To get revenge for the insult, ... See full summary »
Hattie Maloney runs a saloon in Panama where assorted characters congregate where they frequently sing and dance Cole Porter numbers. An upper class gentleman arrives and sparks fly between... See full summary »
A kind-hearted young man is thrown out of his corrupt home town of West Rome, Oklahoma. He falls asleep and dreams that he is back in the days of olden Rome, where he gets mixed up with court intrigue and a murder plot against the Emperor.
The Goldwyn Girls,
FEAST YOUR EYES ON THIS MERRIEST OF GIRL-CROWDED MUSICALS...SEE EDDIE BECOME A POPEYED SOLDIER OF FORTUNE...HUNTING DAMES AND DOUGH TO THE TUNE OF SWELL SONGS! (Print Ad- Milwaukee Journal, ((Milwaukee, Wisc.)) 3 January 1935) See more »
In the early 1930's Eddie Cantor was one of the biggest stars in the world, and "Kid Millions" will show you why. Cantor was energetic, wry, occasionally cutting (without heaping on the cruelty), sweet, and just plain funny, and it's a shame that most people today don't have the faintest idea of who he was. But then, that's increasingly true of Groucho, too. What to do with such a world?
"Kid Millions" has lots of incidental pleasures, including the presence of the ridiculously young Nicholas Brothers, Ann Sothern, and Ethel Merman (who once again proves why she was just too "big," even for grandly produced spectacles like this one). Perhaps most interesting, from a film-history perspective, is the elaborate "Ice Cream Factory" sequence, which was shot in still-experimental 3-strip Technicolor. The earlier (2-strip) Technicolor could only render shades of cyan and magenta (often mistaken today for fading), while the new process was explosively full-spectrum. Audiences at the time must have been astonished.
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