Larry is engaged to Lisbeth Blair but he becomes attentive to Gail, a singer, and is injured in an accident in her apartment. He is slowly going blind and decides that he shouldn't marry ... See full summary »
To avoid hostilities, Maryan, the ward of Doc May, a medicine show owner, induces Pop Garner, a circus owner, to join forces with her guardian. Doc May and Daphne, his wife, work as clowns;... See full summary »
Bob Preston, publicity man for Superba Pictures, uses his publicity skills in an attempt to make this fiancée June Dale the most famous movie star in the world. But in doing so, he forgets ... See full summary »
Hubert Wilkins, a bookkeeper for Mr. Bates by day and an air raid warden by night, patrols the district where his boss' warehouse is located, and finds two employees removing raw silk ... See full summary »
Thomas Z. Loring
In a spooky New York City mansion, a wealthy but mean old woman threatens to return her sister to the home's secret torture chamber when the sister objects to the woman's trying to ruin the... See full summary »
Rogers plays a small town banker in the 1890s whose chief rival is the deacon (Middleton) with whom he has traded horse flesh. Taylor is a bank teller who places a winning $4,500 bet on a ... See full summary »
This Republic murder mystery starts with a radio broadcast by Greg Sherman who solves cases on the air that the local police cannot solve. As he names the perpetrator of a recent murder we ... See full summary »
The life of spoiled rich Robert Merrick is saved through the use of a hospital's only resuscitator, but because the medical device cannot be in two places at once, it results in the death ... See full summary »
John M. Stahl
This film received its earliest documented telecast in the New York City area Sunday 1 June 1947 on WCBS (Channel 2). In Baltimore, it first aired Sunday 11 April 1948 on WMAR (Channel 2), in Chicago Saturday 31 July 1948 on WGN (Channel 9), in Philadelphia Sunday 15 August 1948 on WPTZ (Channel 3), and in Cincinnati Saturday 11 September 1948 on WLW-T (Channel 4). See more »
Surprisingly good for a film from Mascot Pictures, but this film is bound to not sit well with modern audiences.
Think about it. Stephen Collins Foster was a HUGE influence on minstrel shows in the middle of the 19th century--minstrel shows! So how can you do a film that does his career justice without offending a whole lotta folks?! Well, during the 1930s, this was easy--the public didn't blanch at the antics of the 'happy Negroes' seen throughout the film not at groups of men in black-face performing his tunes. But today, this is bound to ruffle a few feathers--and rightfully so. However, he was a brilliant composer and deserves to be remembered...in context.
This biopic stars Douglass Montgomery--an actor pretty much forgotten today. In fact, the only readily recognizable star is the film is William Frawley--though he's in black-face for several scenes. As for the most important part of the film, its historical accuracy, the movie naturally plays a bit fast and loose with the details of his life--but less so than the typical biopic of the era. What you are left with is a reasonably interesting and watchable film--considering it was made by a low-budget studio. But it is by no means a noteworthy film--except for the moments that it makes you cringe! I particularly loved the film showing how gosh-darn happy and well-treated all the black people were during the days of slavery! So, if you do watch it, hold on to your seats...it might be a very bumpy ride!
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