The Invisible Ray (1936) - News Poster


*Updated* Scream Factory Announces Bela Lugosi and Boris Karloff Blu-ray Collection

*Updated: Scream Factory announced a release date change for this set: "Sorry guys but we've had to move our Blu-ray release a couple of months due to some unforeseen discussions behind-the-scenes. The new planned street date is now 6/18/19."

Previously: Scream Factory has been doing an excellent job of releasing both modern classics and deep cuts that classic horror fans have been dying to see on Blu-ray. Today, we have word that we'll be getting a Boris Karloff & Bela Lugosi Blu-ray collection on April 23rd, featuring The Black Cat, The Raven, The Invisible Ray, and Black Friday:

"2 Horror Legends. 4 Classic Chillers. On Blu-ray for the first time! The Boris Karloff/Bela Lugosi Collection is coming to haunt you on Blu-ray on April 23rd.

Horror icons Karloff and Lugosi created some of the most memorable performances in cinematic history. Their unforgettable performances as Dracula and Frankenstein's monster terrified a generation of
See full article at DailyDead »

Wagon Tracks

Wagon Tracks


Olive Films

1919 / B&W / 1:33 Silent Ap / 64 min. / Street Date January 24, 2017 / available through the Olive Films website / 29.98

Starring William S. Hart, Jane Novak, Robert McKim, Lloyd Bacon, Leo Pierson, Bert Sprotte, Charles Arling.

Cinematography: Joseph H. August

Art direction: Thomas A. Brierley

Titles: Irvin J. Martin

Written by: C. Gardner Sullivan

Produced by: William S. Hart, Thomas H. Ince

Directed by: Lambert Hillyer

Last year we were gifted with an excellent Blu-ray of a silent John Ford western, 3 Bad Men, which turned out to be a satisfying sentimental action tale. This month we get a much older silent western that’s almost as interesting. Its star is William S. Hart, the silent icon most of know through a still of a man in a ten-gallon hat brandishing two pistols in a barroom. Hart frequently played gunslingers, but not always. Olive’s presentation of Wagon Tracks sees him
See full article at Trailers from Hell »

Remembering Boris Karloff

Feature Sarah Dobbs Jan 31, 2013

As the anniversary of his passing approaches, Sarah looks back over the career of Boris Karloff - one of cinema's true icons...

If there’s one classic movie star I’d love to have met, it’s Boris Karloff. Now, he’s mostly remembered for his breakthrough role in Universal’s 1931 adaptation of Frankenstein: if you close your eyes right now and imagine Karloff, chances are it’s in green face paint with bolts in either side of his neck. But there was a hell of a lot more to him than that.

Karloff was an amazingly talented actor who brought something special to just about every role he played, and it would have been amazing to get the chance to sit down and talk to him about his life and career, to get his perspective on fame, Hollywood, horror, acting, and all the rest of it.
See full article at Den of Geek »

Beware Take Care Bela Beware


Ja from Mnpp here with this week's Monday Monologue.

The original Hungarian fang-banger Bela Lugosi died 54 years ago today. His entire career was haunted, one might say, by his role as Dracula in Tod Browning's 1931 film. He played the role on the stage in 1927 and he would be buried just twenty-nine years later in one of his costumes from that same stage production.

But as with the famed Count himself, one life wasn't enough for Bela - he'd reappear posthumously three years later in Ed Wood's crap-classic Plan 9 From Outer Space donning a familiar cape in footage shot for another project that Wood edited into the film as a nonsensical, though loving, tribute to his friend.

Or at least that's the way Tim Burton's 1994 masterpiece Ed Wood romanticizes the story. Resurrecting Bela anew, Martin Landau turned in a brilliant performance therein that finally brought Landau a
See full article at FilmExperience »

Despicable Me Review | Bela Lugosi's (Not) Dead

  • Pajiba
Forgive me for appearing jubilant, but it thrills me when the wasteland known as children's entertainment occasionally reveals a treasure. After all, I watch most of the kiddie flicks around here, and most of them offer nothing more than a temporary diversion for those young minds. But the playing field of kiddie flick animated films has finally changed, folks, for it is no longer just a "Pixar takes all" game. Although it's true that audiences indeed flocked to Toy Story 3 out of nostalgia, it was also a film of "too many missed opportunities." More specifically in the context of this review, Pixar has turned their attention for many months to an older franchise; in doing so, they've stopped moving forth while pausing to leisurely reflect upon the past. This fateful choice has opened a valuable window for opportunistic rival studios to claim some quality control of their own --
See full article at Pajiba »

By Our Contributors: Drinks With Barrymore, Fields, Flynn, Carradine, Price, Lugosi & Karloff

  • Starlog
Some months ago, Starlog contributor Gregory William Mank (along with Charles Heard & Bill Nelson) issued Hollywood’S Hellfire Club: The Misadventures Of John Barrymore, W.C. Fields, Errol Flynn & “The Bundy Drive Boys” (Feral House, tpb, $22.95). We’ve now bought and read it—and beyond its charming, dissolute Drew Friedman cover, it’s a joyful, wild party of a book, examining the alcohol-soaked misadventures of a coterie of hard-living actors and others in Hollywood’s 1930s and ’40s glory days.

In addition to those famed constant drinkers Barrymore, Fields and Flynn, the loose-knit Hellfire group included genre great John Carradine, Topper’s Roland Young, character actor star Thomas Mitchell (Stagecoach, Gone With The Wind), British thespian Alan Mowbray (the touring Shakespearean of My Darling Clementine), young Anthony Quinn, eccentric artist Sadakichi Hartmann and writers Ben Hecht and Gene Fowler. Near the tail end of the group’s existence, Vincent Price was also an ad hoc member.
See full article at Starlog »

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