The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
Chaplin's last 'silent' film, filled with sound effects, was made when everyone else was making talkies. Charlie turns against modern society, the machine age, (The use of sound in films ?) and progress. Firstly we see him frantically trying to keep up with a production line, tightening bolts. He is selected for an experiment with an automatic feeding machine, but various mishaps leads his boss to believe he has gone mad, and Charlie is sent to a mental hospital - When he gets out, he is mistaken for a communist while waving a red flag, sent to jail, foils a jailbreak, and is let out again. We follow Charlie through many more escapades before the film is out.Written by
Colin Tinto <firstname.lastname@example.org>
There have been a number of comparisons made between this and Charles Chaplin's earlier pictures. For one thing, the plot device of the Tramp befriending girls who were either homeless or badly down on their luck had been used in such films as The Vagabond (1916), The Circus (1928), City Lights (1931), and later Limelight (1952). See more »
After a brick hits the police officer all the officers go over to the tramp. The gate he is in front of is open at first with a wheelbarrow in the gate opening. This position of the gate and wheelbarrow occur for two or so scenes. In the last scene the gate is suddenly closed and the wheelbarrow has been moved to outside of the gate. See more »
The laserdisc edition contains an extra scene that the film was never released with. An extra verse of the Tramp's gibberish song "Titina" appears (33 seconds in length) at Chapter 13: frames 36235 - 37009 which corrects a continuity jump. This was obviously a last minute removal on Chaplin's part, before the initial release, but was never removed from his 35mm lavender preservation masters which were used to master the laserdisc. The last verse of the Tramp's gibberish song is also shown as a deleted scene on the Chaplin Collection version of Modern Times and with lyrics to it as a karaoke piece. See more »
As relevant today as it was then - and still very funny
Part satire, part slapstick comedy, part melodrama; the great pioneer of film, Charles Chaplin, has created his own monument with this film. At the same time, 'Modern Times' was Chaplin's last goodbye to the era of silent film - which, remarkably, had already ended almost a decade earlier.
After nearly 80 years, this screen marvel still makes me laugh, cry - and think about the ongoing automatization of practically every trivial little thing in our lives. Modern times, indeed.
To me, this film is as entertaining and funny today as I imagine it was then, and it's certainly as relevant as it was then.