Newsreel cameraman Bob Adams heads to North Africa to cover an Arab uprising against the British. When he refuses to help his younger brother become a cameraman, Don becomes the dupe of less savory types posing in the trade.
Pat's ability as a logging/mining camp fighter sets him up to box prizefighter Corrigan. Unknown to his supporters, he's actually in collusion with Corrigan to throw the fight - until he runs into reporter Maude.
Johnny Hanson wants to make enough money to enlarge his chicken farm. He does this through hockey. Gangsters get involved in trying to get him to throw a championship game, even lining up a woman to help steer him their way.
U.S. Army Captain John Delmont takes a leave of absence to find out what happened to his missing father. Later he leads a wagon train to California and goes after the bad guys involved in his father's disappearance.
Joseph W. Girard
In 1818 Alabama, French settlers are pitted against greedy land-grabber Blake Randolph but Kentucky militiaman John Breen, who's smitten with French gal Fleurette De Marchand, comes to the settlers' aid.
Bob Adams, ace newsreel cameraman, is told by his boss, "Get the picture---we can't screen alibis." He heads for Samari, a desert hot-bed of tribal unrest in Africa, to do just that, which includes getting footage of El Kadar, bandit and rebel leader. He gets his pictures but only after a romance with the Colonel's daughter Pamela, saving his wimpy, hacked-off brother Don from being a dupe of the gun-runners, and run-ins with spies and throat-cutting tribesman. For a finale, he saves the British Army.Written by
Les Adams <email@example.com>
Before Stagecoach turned John Wayne into a celebrated wooden actor, he was a an ordinary uncelebrated wooden actor in a series of odd projects. Probably the most interesting of these odd deals is this movie. It doesn't seem to be rentable.
In terms of the actual production, its the standard mess, made a bit worse by the fact that you have to portray war and Arabs. There's lots of fun in it though. Wayne is a dummy and there's less wrapping on that. The setup has to do with Brits and Arabs and has plenty of stuff to chew on: occupation, resistance, duped natives, gunrunning, subterfuge... all things that resonate differently now.
But what interests me is the folding. It was a great adventure of the industry to discover different means to write themselves and the viewers into the film. All sorts of different things: writers in the story, actors, filmmakers, con men. One of the most interesting to me is the newsroom center, something that has energy that we have in no other place today.
A cool slant on that was the newsreel crew. More dangerous, more relevant to the folding notion. Here, Wayne's character is making movies that are fresh and dangerous. There capturing of the images is folded into the drama of the story no matter that the story is trite.
Its a curiosity that to me is more interesting than any of the celebrated Wayne movies.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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