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Kid Galahad (1937)

Approved | | Crime, Drama, Romance | 29 May 1937 (USA)
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Fight promoter Nick Donati grooms a bellhop as a future champ, but has second thoughts when the 'kid' falls for his sister.

Director:

Michael Curtiz

Writers:

Seton I. Miller (screen play), Francis Wallace (from the story by: Saturday Evening Post)
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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Edward G. Robinson ... Nick Donati
Bette Davis ... Louise 'Fluff' Phillips
Humphrey Bogart ... Turkey Morgan
Wayne Morris ... Ward Guisenberry / Kid Galahad
Jane Bryan ... Marie Donati
Harry Carey ... Silver Jackson
William Haade ... Chuck McGraw
Soledad Jiménez ... Mrs. Donati (as Soledad Jiminez)
Joe Cunningham Joe Cunningham ... Joe Taylor
Ben Welden ... Buzz Barett
Joseph Crehan ... Brady
Veda Ann Borg ... The Redhead
Frank Faylen ... Barney
Harland Tucker Harland Tucker ... Gunman
Bob Evans Bob Evans ... Sam
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Storyline

When a bellhop knocks out fighter Chuck McGraw, promoter Nick Donati realizes he's a potential champ. "Kid Galahad" justifies Nick's confidence, but Nick's mistress Fluff falls for him; in turn, the Kid falls for Nick's young sister. Now overprotective brother Nick turns against his new fighter, leading to a near- disastrous title fight and a murderous confrontation. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance | Sport

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | Italian

Release Date:

29 May 1937 (USA) See more »

Also Known As:

The Battling Bellhop See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

While Bette Davis praised Edward G. Robinson as a performer and as a person, she was repulsed by having to kiss him. See more »

Goofs

When Kid Galahad is sitting in his corner before the last round, he has stripes on his shorts. They were not there earlier in the fight, and are not there when he is fighting during the last round. See more »

Quotes

Nick 'Nicky' Donati: [to Fluff] Say, what did you worry about before you met me?
See more »

Connections

Version of Kid Galahad (1962) See more »

Soundtracks

Swing for Sale
(1937) (uncredited)
Music by Saul Chaplin
First tune played at the party
See more »

Frequently Asked Questions

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User Reviews

Robinson, Davis, and Bogart make it worthwhile
4 April 1999 | by bwaynefSee all my reviews

Who can complain about a movie that pits Edward G. Robinson against Humphrey Bogart, and even throws in a young and surprisingly beautiful Bette Davis for added appeal?

I guess I can.

The cliches and stereotypes in "Kid Galahad" were probably cliches and stereotypes even in 1937, but because they still weren't THAT old, they didn't inspire the kind of snickers they do today. The big cliche here is the one about the sweet, mild-mannered innocent whose gentle dreams are achieved through violence. The innocent in this one is played by Wayne Morris. His gentle dream is to own a farm that he hopes to buy with his earnings as a bellhop. Fate intervenes, as it has a way of doing in the movies, and when bellhopping a party for boxing manager Edward G. Robinson, the big lug defends Bette's honor, displaying a mean right hook in doing so. Robinson is no fool and sees potential in the young man. The young man, dubbed Galahad in honor of his chivalry, is no fool either and sees a quicker and more profitable way to achieve his dream by stepping into the boxing ring. Galahad remains an innocent despite the company he keeps, and falls in love with Robinson's kid sister, also an innocent, one who works in a convent (!) These cliches would be revived in 1939's "Golden Boy" in which a young William Holden puts on the gloves to finance his violin lessons. One year later, James Cagney would bash in faces to send his kid brother to music school.

Ah, contrast: the key to good drama. Well, maybe. Then again, maybe not.

Galahad is too good to be true and is, therefore, unbelievable. Fortunately, his goody-goody persona, though getting plenty of screen time, is completely swamped by the dynamic presence of Robinson, Davis, and, in a small role, Humphrey Bogart, the terrific trio whose street smart performances keep this story in the gutter and away from that dreary farm Galahad dreams of owning. As long as they're on screen, director Michael Curtiz keeps "Kid Galahad" from becoming too smarmy, which in turn keeps it from becoming more dated than it might otherwise.


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