6.1/10
255
9 user 4 critic

Live, Love and Learn (1937)

Passed | | Comedy | 29 October 1937 (USA)
Bob is a struggling artist who paints for his own amusement. Julie is a rich society girl. When they meet, it is cute and they are soon married. Living in a small apartment with the ... See full summary »

Director:

George Fitzmaurice (as Geo. Fitzmaurice)

Writers:

Charles Brackett (screenplay), Cyril Hume (screenplay) | 3 more credits »
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Cast

Complete credited cast:
Robert Montgomery ... Bob Graham
Rosalind Russell ... Julie Stoddard
Robert Benchley ... Oscar
Helen Vinson ... Lily Chalmers
Monty Woolley ... Mr. Bawltitude
E.E. Clive ... Mr. Palmiston
Mickey Rooney ... Jerry Crump
Charles Judels ... Pedro Felipe
Maude Eburne ... Mrs. Crump
Harlan Briggs ... Justice of The Peace
June Clayworth ... Annabella Post
Barnett Parker ... Alfredo
Al Shean ... Professor Fraum
Edit

Storyline

Bob is a struggling artist who paints for his own amusement. Julie is a rich society girl. When they meet, it is cute and they are soon married. Living in a small apartment with the constant company of close friend Oscar, they are poor, but happy. When the papers run the story about his riot in the park, Bob is suddenly news. With his private showing he becomes the society's newest sensation. Bob becomes serious, devoid of fun and adventure. Money becomes his prime concern and all the introductions are handled by Lilly. But this is not the life that either Julie or Oscar want. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

29 October 1937 (USA) See more »

Also Known As:

La vie, l'art et l'amour See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

First feature film for Monty Woolley. See more »

Goofs

When Bob pushes Oscar, who is sleeping on a couch, into his apartment, the position of the cloth draped over the back of the couch changes between shots. See more »

Crazy Credits

The opening credits feature a large sketchbook with caricatures of the three main stars. Followed by a hand ripping pages off to reveal more credits. See more »

Connections

Featured in The Romance of Celluloid (1937) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Variations in the score during the opening credits
See more »

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User Reviews

 
An idiotic screenplay sabotages the stars' efforts.
12 December 1998 | by Art-22See all my reviews

Although Robert Montgomery and Rosalind Russell are two of my favorite performers, I couldn't accept most of what was happening onscreen. The writers tried hard to make this a zany romantic comedy, and it starts out that way, as artist Montgomery meets socialite Russell when she takes a spill while on a fox hunt, right into his easel, and faints after some exchange of words. In the very next scene they're at a justice of the peace getting married! The writers didn't believe in long (or even short) courtships. They are both penniless (Russell throws her purse out of the window of a bus to be at Montgomery's poverty level) and have to extort groceries from grocer Charles Judels, by threatening to yell from the rooftops that he overcharges his customers. So what do they do when her rich uncle sends a $2,000 check, afraid she could not cope with poverty? They frame it and use it for a dartboard. What starving artist would do that? Robert Benchley is sort of a hanger-on, seeming to live with them and drunk most of the time. He's in the film for his witty comments, but seems witless most of the time. After Montgomery's painting causes a riot by sailors and marines in Central Park, gallery owner Monty Woolley (in his first film) becomes interested in Montgomery's work and goes to see him. But the trio has been so inundated by reporters because of the riot, they think he is one of them. In perhaps the funniest scene in the film (if you can ignore its viciousness), they snip his tie, cut his suspenders and pour a pitcher of water on his head. Still, Woolley makes him famous with a special showing of his work, and Russell's friend, Helen Vinson, gets him commissions to make him rich. Russell, however, is unhappy at the change she sees in Montgomery. I winced (as did Montgomery) when she suggests at the gallery showing that they start snipping ties of the patrons. He doesn't paint anymore for pleasure, she complains, but sold out his principles for crass commercialism. She asks for a divorce and leaves him, but they are both unhappy. Well, Montgomery lived and loved, but will he ever learn that making money is not as important as doing what you enjoy most?


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