Sailor Ted meets at the Lonely Hearts Club of his friend Gunny's wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of ... See full summary »
Roy Del Ruth
Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her... See full summary »
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. ... See full summary »
Roy Del Ruth
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ... See full summary »
Londoners Arnold and Evelyn Boult had high hopes for the life of their son, Edward. His relatively short life ended up being one of privilege but irresponsibility. His life ended at age 23 ... See full summary »
Hard-hitting news editor Jim Branch falls for high-society type Sharon Norwood but can't get to first base as he continually makes use of her knowledge of the rich and famous to try to ... See full summary »
Robert Z. Leonard
A bumbling pants presser at an upscale hotel's valet service nurses an unrequited crush on a Broadway star. He gets more than he bargained for when she agrees to marry him, to spite her womanizing fiance, and encounters Nazi saboteurs.
During the 'drum dance' sequence there are three rows of huge drums all sounding together. The drum sticks on the front row are synchronized so that they all hit the drum at the same time. The drum sticks in the second and third rows are out of synch with the first row yet their sound is in synch. See more »
Take a major studio studio (MGM) celebrated for its musicals. Take a top director (Woody Van Dyke) known for his breezy direction of films like THE THIN MAN, SAN FRANCISCO and NAUGHTY MARIETTA, among many others. Take a handsome singing star (Nelson Eddy) who was the studio's biggest matinee idol at the time, getting more fan mail than Clark Gable. Take a charming young tap-dancing star (Eleanor Powell). Take a score by Cole Porter written especially for the picture, including `In the Still of the Night.' Add some popular supporting actors like Frank Morgan, Ray Bolger, and Edna May Oliver, and, for those few who find a professional sneezer amusing, Billy Gilbert.
Take all these elements, spend a small fortune on sets and costumes, and turn out a picture which is among the worst ever made. It's inexplicable. The full-throated Eddy has been turned into a crooner, playing the world's oldest (36) West Point Cadet. Powell's dancing is sprightly but the big centerpiece number, danced on a series of huge drums, can only be called bizarre, Poor Frank Morgan is forced to do most of his performing with a ventriloquist's dummy. There are one or two cute scenes---Powell and Eddy obviously like each other---but mainly this picture is simply awful. What a waste.
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