Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X". After Alyce goes to London to meet a beau... See full summary »
Ballet star Pete "Petrov" Peters arranges to cross the Atlantic aboard the same ship as the dancer he's fallen for but barely knows, musical star Linda Keene. By the time the ocean liner reaches New York, a little white lie has churned through the rumor mill and turned into a hot gossip item: that the two celebrities are secretly married.Written by
Diana Hamilton <email@example.com>
The song, "Hi-Ho," was written for this movie as an opening number, but was dropped because of the expense of filming it. It was published in 1967. The song "Wake Up Brother and Dance" was also written for the movie and published in 1937 with the other songs, but it was dropped to make room for the title song. It appeared in the movie Kiss Me, Stupid (1964) with the title "Sophia." See more »
At one part, Petrov is standing in front of a full-length mirror talking to Jeffrey. The reflection in the mirror doesn't match the actor's (or stand-in) playing Petrov's movements. See more »
[picks up phone]
Oh, hello, Jeffrey. Yes, are you there?
Of course I'm here.
Now don't shout at me - I'm in jail.
Well, that's all right; we don't need you.
I'm in jail for battery, and I want you to get me out. I'm at the Susquehannah Street Jail . . . Susquehannah! Susquehannah - S-U-S-Q-U-Q! Q! You know, the thing you play billiards with . . . Billiards! B-I-L-L-
Policeman at Jail:
What is this, a spelling bee?
Ahem. No, "L" for larynx. L-A-R-Y . . . N-No, not "M", N! . . . "N" as in neighbor! Neighbor, ...
[...] See more »
When George Gershwin's name appears in the credits, a bit of "Rhapsody in Blue" plays on the soundtrack. See more »
Music by Gershwin, dancing by Astaire and Rogers, with Edward Everett Horton and Eric Blore in tow
This film (one of the better ones Astaire and Rogers did) probably doesn't get quite the praise it merits because Top Hat and The Gay Divorcee are so widely praised (rightly so). But this movie is equally well executed and any movie that has in it's score the songs, "Shall We Dance", "Let's Call the Whole Thing Off" and especially "They Can't Take That Away" deserves to be warmly remembered. There's a score by Gershwin, dancing by Astaire, Rogers and others and Edard Everett Horton and Eric Blore in support (they appeared in so many of the Astaire-Rogers films that their casting must have been legally required!). Well worth your time. Recommended.
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