A nurse loses her job after selflessly taking the blame for a fatal mistake her sister and co-worker made; she is subsequently employed at a poorly-equipped hospital, where she finds romance and tragedy.
Rene is broke and Kay is a rich actress visiting Paris. They meet, share a cab and dinner. He is smitten by her, but she leaves for London and he follows. At her house, when he cooks the dessert, the chef quits and he takes the job, unbeknownst to Kay. By the next day, the scandal is all over London about him living in her house and that upsets Philip, who wants Kay for his wife. Kay tells Rene to leave, but Rene plans to get rid of Philip.Written by
Tony Fontana <firstname.lastname@example.org>
It's stupid to say this is love. I don't even know you! All I know is you're a charming young man who makes a divine salad.
And don't forget the Crepe Suzettes.
You have nice eyes and a breezy tongue. But, that's necessarily a basis for an enduring love!
You talk of love as if it were something with a cornerstone and steel girders. Just try to think of it as a gleam in the eye, a laugh, a moment of gayety, a moment of exultation, then the whole problem becomes quite simple.
And we become quite ...
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The opening credits say "Music and Lyrics by Richard Rodgers and Lorenz Hart" even though Rodgers wrote only the music and Hart only the lyrics. See more »
This film is described in Carole Lombard's biography by Larry Swindell as "one of the horrendous flops of the thirties decade" and by Photoplay as "inane" and "pointless". I must say that I was expecting something as horrendous as Carole's 1933 movie "White Woman", but was pleasantly surprised to find this an endearing, lighthearted romp. The actors seemed to enjoy themselves and recognize that they were not filming Shakespeare, but a screwball comedy. The scenes are varied and interesting, the action moves along at a bright pace and things are anything but dull, including a surprise ending to top things off.
The only criticism I can make is that Carole does seem to shout her lines for some unknown reason. I assume this is the director's fault. And the overall tone of the movie should probably have been toned down and played with more sophistication in spots to give the film a little more class. In a few places it almost goes over the top into a "Three Stooges" mode. Ralph Bellamy really made me laugh a few times. However, Carole has never been more beautiful, and I was not turned off by Fernand Gravet's performance as so many seemed to have been at the time. Come on, no ones perfect. If this film had been made a few years earlier in her career, I think it could easily have been a classic.
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