5.9/10
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15 user 3 critic

Gold Diggers in Paris (1938)

Approved | | Comedy, Musical, Romance | 11 June 1938 (USA)
Owners and show girls of the bankrupt Club Ballé are mistaken for the Academy Ballet of America and are off to Paris to compete in an International Dance Exposition.

Director:

Ray Enright

Writers:

Earl Baldwin (screenplay), Warren Duff (screenplay) | 5 more credits »
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Cast

Cast overview, first billed only:
Rudy Vallee ... Terry Moore
Rosemary Lane ... Kay Morrow
Hugh Herbert ... Maurice Giraud
Allen Jenkins ... Duke 'Dukie' Dennis
Gloria Dickson ... Mona Verdivere
Melville Cooper ... Pierre aka Fernand LeBrec
Mabel Todd ... Leticia
Fritz Feld ... Luis Leoni
Curt Bois ... Padrinsky
Edward Brophy ... Mike Coogan (as Ed Brophy)
Victor Kilian ... Gendarme
Georges Renavent Georges Renavent ... Gendarme (as George Renevant)
Armand Kaliz ... Stage Manager
Maurice Cass Maurice Cass ... Mr. Vail
Eddie 'Rochester' Anderson ... Doorman (as Eddie Anderson)
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Storyline

When the representative of the Paris International Dance Exposition arrives in New York to invite the Academy Ballet of America to compete for monetary prizes, the taxi driver mistakenly brings him to the Club Ballé, a nightclub on the brink of declaring bankruptcy. The owners, Terry Moore and Duke Dennis, jump at the chance to go, despite being aware of the mistake. They hire ballet teacher, Luis Leoni, and his only pupil, Kay Morrow, to join the group, hoping to teach their two dozen show girls ballet en route to Paris by ship. Also going along and rooming with Kay is Mona, Terry's ex-wife, who wants to keep an eye on her alimony checks. Naturally, Kay and Terry fall in love. After the ship is underway, Padrinsky, the head of the real ballet academy, reads about the departure and also heads to Paris, bringing with him his ballet loving gangster patron, Mike Coogan, with orders to eliminate the pair of imposters. Things look bleak for Terry as Kay becomes angry and severs her ... Written by Arthur Hausner <genart@volcan.net>

Plot Summary | Add Synopsis

Taglines:

Romance in Paree! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | French

Release Date:

11 June 1938 (USA) See more »

Also Known As:

Golddiggers in Paris See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Cast member Ethelreda Leopold was selected to appear at the Paris premiere of this film. Leopold was accompanied by her mother Gertrude. See more »

Quotes

Terry Moore: [upon finding Mona has had him arrested] Mona, have you gone out of your mind?
Mona Verdivere: Yes, I'm as dumb as a fox.
See more »


Soundtracks

Colonel Corn
(uncredited)
Written by Freddie Fisher
Performed by the Schnickelfritz Band
See more »

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User Reviews

 
Ridiculous but enjoyable.
8 January 2013 | by MartinHaferSee all my reviews

Rudy Vallee is the leader of an orchestra and night club dance act that is struggling to stay in business. To make it worse, his ex-wife is trying to have him put in jail for failing to pay alimony. So, when an idiot (Hugh Herbert) accidentally invites him and his troop to a dance contest in Paris, Vallee jumps at the opportunity to attend. After all, they'll get paid just for attending--even if none of them know the ballet. So, he grabs a lady who does know ballet (Rosemary Lane) and they head to France. But, what they don't know is that the real ballet leader and his insane friend (Eddie Brophy) are actively in pursuit--as they want to punish them for taking their jobs. It's all clearly a silly case of mistaken identities--a very inconsequential but enjoyable plot. And, fortunately, two usually obnoxious actors (Hugh Herbert and Mabel Todd) are used sparingly throughout the film! As for the dancing, this was a bit of a surprise to me. Although Busby Berkeley is listed as the director of the musical numbers, there really isn't much dancing until the end of the film. It's more a musical--with quite a few nice numbers sung mostly by Vallee and a few odd but enjoyable novelty tunes. The songs are not great but are uniformly nice. As for the musical extravaganza at the end, it's pretty weird--even by Berkeley standards. You just have to see it to believe it...and then you might not! By wife's response to this number...'Good Lord!'.


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