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Holiday (1938)

Not Rated | | Comedy, Romance | 15 June 1938 (USA)
A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.

Director:

George Cukor

Writers:

Donald Ogden Stewart (screenplay), Sidney Buchman (screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
Katharine Hepburn ... Linda Seton
Cary Grant ... Johnny Case
Doris Nolan ... Julia Seton
Lew Ayres ... Ned Seton
Edward Everett Horton ... Professor Nick Potter
Henry Kolker ... Edward Seton
Binnie Barnes ... Mrs. Laura Cram
Jean Dixon ... Mrs. Susan Elliott Potter
Henry Daniell ... Seton Cram
Rest of cast listed alphabetically:
Harry Allen Harry Allen ... Scotchman (scenes deleted)
Frank Benson Frank Benson ... Scotchman (scenes deleted)
Aileen Carlyle Aileen Carlyle ... Farm Girl (scenes deleted)
Edward Cooper Edward Cooper ... Scotchman (scenes deleted)
Margaret McWade ... Farmer's Wife (scenes deleted)
Frank Shannon ... Farmer (scenes deleted)
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Storyline

Free-thinking Johnny Case finds himself betrothed to a millionaire's daughter. When her family, with the exception of black-sheep Linda and drunken Ned, want Johnny to settle down to big business, he rebels, wishing instead to spend the early years of his life on "holiday." With the help of his friends Nick and Susan Potter, he makes up his mind as to which is the better course, and the better mate. Written by Terri A. Mabry <tamabry@uci.edu>

Plot Summary | Add Synopsis

Taglines:

So daring -- so tender -- so human -- so true -- that everyone in love will want to see it! See more »

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

15 June 1938 (USA) See more »

Also Known As:

Unconventional Linda See more »

Company Credits

Production Co:

Columbia Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In her December 1972 interview by Leonard Maltin, Madge Evans declared: "I wanted very much to be in 'Holiday' with Katharine Hepburn. I had made two films with George Cukor, and I had known him in New York. He wanted me, but I was under contract to Metro and that was being made at Columbia." See more »

Goofs

Though it's the Christmas season and everyone on the sidewalk is wearing overcoats, the cab driver in the opening scenes has his windshield cranked open. See more »

Quotes

Linda Seton: What's it like to get drunk, Ned?
Edward 'Ned' Seton: Well, I... how drunk?
Linda Seton: Good and drunk!
Edward 'Ned' Seton: Oh, it's wonderful. You see, you think clear as crystal. But every move, every situation is a problem. It gets pretty interesting.
Linda Seton: You get beaten in the end though, don't you?
Edward 'Ned' Seton: Sure, but that's okay.
Linda Seton: Where do you wind up?
Edward 'Ned' Seton: Where does anybody wind up? You die... that's okay, too.
Linda Seton: Oh, Ned! that's awful!
Edward 'Ned' Seton: Think so? Other things are worse.
See more »

Connections

Featured in Becoming Cary Grant (2017) See more »

Soundtracks

The Oceana Roll
(1911) (Uncredited)
Music by Lucien Denni
Lyrics by Roger Lewis
Played on a flute by Lew Ayres
See more »

Frequently Asked Questions

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User Reviews

 
An Important Lesson
28 December 2001 | by boo_squibSee all my reviews

I just saw this incredible film for the third time. Unlike what most people comment about this movie, it is more than just "delightful" and "whimsical", or worst yet calling it a screwball comedy. If you call Holiday a screwball comedy, you may as well call It's A Wonderful Life the same thing. There are distinct parallels between these two groundbreaking works. Both deal with strong dreams being crushed. But in the case of Lew Ayres' character it is his "place" in society that stops him from becoming a serious composer. And though he comes from a wealthy family he does not have the freedom that many believe (falsely) to chose what he truly wishes to do. In a tightly-wound capitalistic society as ours, the obligations to continue the legacy of money-making overwhelms the individual's desire to create what many believe is frivolous artistry. What many of us, as well as his father, fail to realize is when this desire is crushed apathy sets in. This brings up the singularly amazing theme of this movie, a theme Philip Barry uses in many of his works, that a society that chases wealth without conscience, that suppresses truly individualistic idealism is a society of superficial, mean-spirited and back-biting people. The party scene in Holiday is a clear-eyed view of our society and how lost we are. Everyone talks down about others under their breath, than hypocritically smiles and fawns over these same people to insure their own place in society. Those who refuse to go along with this status quo are relegated, as Hepburn,Ayres,and the Professor and his wife are, to the childrens' playroom until they "grow-up" and accept things as they are. This films warms an audience with it's superficial whimsy, as "...Wonderful Life" did, yet can drive a cold stare with its slashing and often hurtful glances at how we are all relegated to the playroom of society if we express criticism of the narrow-mindenness and suffocating aspects of capitalism.

Holiday should be an important lesson to many of us on not just how important Life is, but shows us how much more important it is to grasp on to what truly makes it worth living.


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