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Stagecoach (1939)

Not Rated | | Adventure, Drama, Western | 3 March 1939 (USA)
3:33 | Trailer

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A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo and learn something about each other in the process.


John Ford


Ernest Haycox (original story), Dudley Nichols (screen play)
2,122 ( 3,310)
Won 2 Oscars. Another 5 wins & 5 nominations. See more awards »



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Complete credited cast:
Claire Trevor ... Dallas
John Wayne ... Ringo Kid
Andy Devine ... Buck
John Carradine ... Hatfield
Thomas Mitchell ... Doc Josiah Boone
Louise Platt ... Mrs. Lucy Mallory
George Bancroft ... Marshal Curley Wilcox
Donald Meek ... Samuel Peacock
Berton Churchill ... Ellsworth Henry Gatewood
Tim Holt ... Lt. Blanchard
Tom Tyler ... Luke Plummer


A simple stagecoach trip is complicated by the fact that Geronimo is on the warpath in the area. The passengers on the coach include a drunken doctor, two women, a bank manager who has taken off with his client's money, and the famous Ringo Kid, among others. Written by Andrew Hyatt <dres@uiuc.edu>

Plot Summary | Add Synopsis


A Powerful Story of 9 Strange People! See more »


Not Rated | See all certifications »

Parents Guide:

View content advisory »





English | Spanish | French

Release Date:

3 March 1939 (USA) See more »

Also Known As:

Stagecoach See more »

Filming Locations:

Santa Clarita, California, USA See more »


Box Office


$392,000 (estimated)

Gross USA:

$2,406,190, 31 December 1939
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


Although John Wayne had minor roles in John Ford's Mother Machree (1927) and Salute (1929), this film was the real start of their partnership. See more »


John Wayne's famous rifle is a Winchester Model 1892, not introduced until 12 years after the movie is set. See more »


[first lines]
Cavalry scout: These hills here are full of Apaches. They've burnt every ranch building in sight.
[referring to Indian scout]
Cavalry scout: He had a brush with them last night. Says they're being stirred up by Geronimo.
Capt. Sickel: Geronimo? How do we know he isn't lying?
Cavalry scout: No, he's a Cheyenne. They hate Apaches worse than we do.
See more »

Alternate Versions

Also available in a computer-colorized version. See more »


Rosa Lee
American folk song
Used in the score
See more »

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User Reviews

Dallas and The Ringo Kid -- Awesome!
13 May 2001 | by MadReviewerSee all my reviews

`Stagecoach' isn't so much a traditional Western as it is a forefather to the modern disaster film (with Apache warriors being the `disaster'). In many ways, the film is closer in style to `The Towering Inferno' than to `True Grit', but it's undeniably a great film, one of John Wayne's best. It's a simple story, really -- eight strangers, each with their own secrets and emotional baggage, are passengers on an Arizona stagecoach going from the town of Tonto to the city of Lordsburg, despite the looming threat of imminent Apache attacks. Along the way, the stagecoach comes across the Ringo Kid (John Wayne), who's just broken out of prison -- he's looking to go to Lordsburg as well, to avenge the death of his kid brother. He joins the passengers to Lordsburg, and during the journey, in one way or another, most of the passengers wind up learning something about themselves -- and wind up fighting Indians as well.

Hokey? Not really -- the story's quite good, and for the most part, the acting's wonderful. John Wayne's great as the Ringo Kid -- this actually may be one of his best Western roles. The Ringo Kid is a murderer, looking to avenge his family, but he's also a fairly principled man. The role's a lot deeper and more complex than some of Wayne's later `white hat' heroes who were always perfectly good and flawless. The Ringo Kid wants a normal life, but at the same time knows he'll probably never have one, and John Wayne pulls off this internal conflict flawlessly. Wayne also has great chemistry with the wonderful Claire Trevor, who plays Dallas, the former lady-of-the-evening -- she's also seeking to create a new life, and the uncomfortable, almost shy way she reacts to Wayne's gentle, genuinely polite comments is terrific to watch. Like the Ringo Kid -- indeed, like most of the characters in `Stagecoach' -- Dallas wants to change her life around, but doubts that she can. The other characters in `Stagecoach' are excellent as well, but it's Claire Trevor and John Wayne who really make the film enjoyable. (Side note -- while he's quite good, I was shocked to read that John Mitchell actually won an Oscar for Best Supporting Actor for his portrayal of Dr. Josiah Boone in this film. His character's essentially a cross between W.C. Fields and Yoda, and while I'm not sure who else was in contention for the Best Supporting Actor award with Mr. Mitchell, I find it hard to believe that this was, in fact, the best supporting performance captured on film in the year 1939.)

John Ford's direction is excellent as well. `Stagecoach' is the first film where Mr. Ford used the breathtaking landscapes of Monument Valley, and even in black-and-white, they're still used to vivid effect. His action shots of an Apache attack and war raid are also stunning, even by today's standards. Ford also has great touch with changing moods in `Stagecoach' -- the film moves effortlessly from light comedy to tear-jerking drama, and the changes of mood never seem contrived. `Stagecoach' is clearly one of John Ford's better films.

Does `Stagecoach' have problems? Yes, but most of them are more a by-product of the customs and conventions of filmmaking in the 1930s. For example, the music is often obtrusive, and doesn't always fit with what's actually happening in a given scene. There's also not a lot of time spent exploring the character's backgrounds -- it would've been nice to know lot more about where the characters had come from (particularly Dallas), if only to help understand each character's motivations. Since this can be said about most films made during this era, it' somewhat forgivable. However, one significant flaw of `Stagecoach' itself is the character of Hatfield (John Carradine) -- while Mr. Carradine does a good job with the part, the character constantly contradicts himself. He behaves one way in one scene, then in a completely different manner in the next, and there's never a reason given for this. Add to this that Hatfield adds next to nothing in the film (his only useful purpose, apparently, is to ask Mrs. Platt (Lucy Mallory) `Are you all right?' every thirty seconds), and he becomes totally superfluous. If the part of Hatfield had been excised entirely from the script, "Stagecoach" would have been much better.

`Stagecoach' is not a typical Western (there's a lot more character introspection going on than blazing six-shooters), but it's an extremely entertaining film nonetheless. The memorable interaction between John Wayne and Claire Trevor alone makes it a near-classic. Grade: A-

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