Disney animators set pictures to Western classical music as Leopold Stokowski conducts the Philadelphia Orchestra. "The Sorcerer's Apprentice" features Mickey Mouse as an aspiring magician who oversteps his limits. "The Rite of Spring" tells the story of evolution, from single-celled animals to the death of the dinosaurs. "Dance of the Hours" is a comic ballet performed by ostriches, hippos, elephants, and alligators. "Night on Bald Mountain" and "Ave Maria" set the forces of darkness and light against each other as a devilish revel is interrupted by the coming of a new day.Written by
David Thiel <firstname.lastname@example.org>
For "The Sorcerer's Apprentice", Mickey Mouse was redesigned by Fred Moore to give him a more modern look and eyes with pupils for the first time. By the time the movie was finally released (two years after "The Sorcerer's Apprentice" was supposed to be finished as a stand-alone short), four regular Mickey Mouse films (starting with The Pointer (1939) and the promotional short Mickey's Surprise Party (1939)) had been completed and released using the new Mickey design. See more »
During the "Pastoral" segment, when the first centaur and centaurette walk away together arm-in-arm, a bush in the lower right fails to track properly, and winds up going with the pair. See more »
How do you do? Uh, my name is Deems Taylor, and it's my very pleasant duty to welcome you here on behalf of Walt Disney, Leopold Stokowski, and all the other artists and musicians whose combined talents went into the creation of this new form of entertainment, "Fantasia". What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained ...
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The "Fantasia" title card for all releases prior to 1990 (including the original roadshow version) was slightly different from the one seen in the 1990 re-release and in the videocassette version. In the original title card, the letters spelling out the word "Fantasia" are of a slightly different shade of color, as is the blue background, and the title card reads "In Technicolor", just below the word "Fantasia". There is also an RKO logo at the bottom. In the 1990 version, there is no RKO logo, and below the title it says "Color By Technicolor". See more »
For its 50th Anniversary re-release in 1990, Disney went back to the original Fantasound tracks originally recorded by the Philadelphia Orchestra, and the picture and soundtrack restored from whatever elements were available at the time to resemble the 1946 re-release version of 115 minutes. The only new alterations made were:
The edits made to the "Pastoral Symphony" that are present in all post-1969 prints of the film. See above.
The addition of an end credits sequence played against footage of the on-screen orchestra exiting the stage, as first seen preceding the intermission in the Roadshow Version. The 1990 version has been released on VHS and LaserDisc. No other version of Fantasia features a credits sequence (the credits were made available to the 1940-1941 roadshow patrons in a specially prepared commemorative booklet).
This is one of the truly rare, one of a kind movie going experiences, kind of in the same league as watching 2001: A Space Odyssey. I like to watch this film repeatedly; often times I'll just close my eyes and daydream, letting my own imagination go in place of whats on the screen. My favorite part is the opening sequence, with its dramatic music and free flowing imagery foreshadowing the state of the world in 1940. The end of Ave Maria is the perfect bookend to this masterpiece; death has withdrawn and peace has finally arrived. It would, but not for another five years and millions of lives. I can never watch this movie without seeing it in this context; for me its a work of art, both a part and ahead of its time.
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