Cement company CEO Stephen Dexter asks his secretary Kendall to marry him as a wife in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover....
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Playwright Gaylord Esterbrook scores a hit with his first Broadway play, both with the critics and with leading lady Linda Paige. He and Linda are happily married until a patroness of the ... See full summary »
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Cement company CEO Stephen Dexter asks his secretary Kendall to marry him as a wife in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover. Once the threat to his company is neutralized, he asks Kendall for a divorce and is dismayed when she engages in continuous ploys and antics to maintain the marriage.Written by
It's a strange fact that this film immediately proceeds Rosalind Russel's perhaps most noteworthy film, "His Girl Friday," yet this one doesn't even have a Wikipedia link, and so far only has one review on this website. After all, she gave an impressive performance in that notorious film, and I am completely vexed as to how that role didn't grant her massive attention from the masses, though it seems this film was made by Universal, which wasn't exactly a top-drawer as far as I understand.
Nevertheless, if you happen to have come across this film or have divulged any interest in watching it, I would encourage your desire and eagerly anticipate your enjoyment. After all, this film really is quite swell, even if it isn't particularly a classic in any way. Its plot is screwball, to be sure, with aspects of the Comedy of Remarriage thrown in for good measure, such is the widespread appeal of that genre at this time. While I cannot attest to the picture quality being excellent-- naturally this film lacked the MGM sheen, or even the crispness of some Paramount or Columbia features-- that doesn't detract from any pleasure you might find herein. Naturally I assume that given Rosalind Russel's starring in this film it would most appeal to her fans, and if you are caught in her own particular spell you will no doubt appreciate her character here, which is embodied by the typical qualities which this actress is so renown at invoking, such as her being a strong, coordinated, wise-cracking woman of competence yet who retains an essential romantic, traditionalized passion underneath it all; to be sure, this is a typical Roz role.
Even further surprising is the fact that at least two of the other actors herein are recognizable as appearing in several other films, by which I understand Virginia Bruce and Robert Benchley to be those. All in all, this film is typical of its time, certainly being the type of story that only could have ever been produced before the horrors of the war about to be fought, and if you enjoy such a circumstance; such a setting; such a plot; such characters-- then I cannot understand why you should not watch this film, or join me in wondering why it wasn't successful, or given more attention.
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