Popular and beautiful Fanny Trellis is forced into a loveless marriage with an older man, Jewish banker Job Skeffington, in order to save her beloved brother Trippy from an embezzlement charge, and predictable complications result.
The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense. Her poise, graciousness and stoicism impress nearly everyone who meets her. Her husband is certainly without doubt; so is the district officer; while her lawyer's doubts may be a natural skepticism. But this is Singapore and the resentful natives will have no compunction about undermining this accused murderess. A letter in her hand turns up and may prove her undoing.Written by
This film's earliest documented telecasts took place in Tucson Tuesday 9 October 1956 on KDWI (Channel 9) and in Los Angeles Wednesday 10 October 1956 on KNXT (Channel 2). It first aired in Salt Lake City Monday 10 December 1956 on KUTV (Channel 2), and in San Francisco Friday 28 December 1956 on KRON (Channel 4). See more »
The motor vehicles throughout are all left-hand drive. In Singapore traffic drives on the left and all vehicles there are right-hand drive. See more »
I can't help comparing "Witness for the Prosecution (1957)" with this one "The Letter," as they represent a good study in contrast. The former I recall has many bouts of loud dialogue, in particular the courtroom scenes of constant shouting which reach fever pitch at times. Whereas in this "Letter" movie the atmosphere is ever so subtle, very subdued dialogue, and far more impressive because of it. I rather liken it to a warrior noisily clashing by day on the battlefield contrasted by another kind of warfare, that of stealth night fighting in shadows and lit only by moonlight. Both these movies deal with the guilt or innocence of the main character.
Bette Davis gives one of her great portrayals, and Herbert Marshall as the sympathetic husband is well suited to the role, with that wonderful voice of his too, what more could one ask! I don't really know James Stephenson in many roles but here he makes us feel how difficult the situation was for him to deal with -- truly a razor's edge for each and every one of the characters involved. I've seen this movie many times and it just gets better at each viewing, always most intriguing.
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