After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ...
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Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
Marine, James Murfin, is unaware of Icelandic customs. When he flirts with Katina her Icelandic family take his actions as a proposal of marriage to Katina. Desperately wanting out, James ... See full summary »
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.Written by
Ed Stephan <email@example.com>
Original 1919 Jess Willard-Jack Dempsey fight film footage used. See more »
When Rix Martin (John Payne) first sees the radio equipment Chuck Hadley (Jack Oakie) has set up in his room, he thinks it's a still for making bootleg liquor. But the scene takes place in early 1919, before Prohibition had taken effect. See more »
Great Musical, but not the history of the origin of radio
The Great American Broadcast marks the first of four films that Alice Faye teamed with John Payne at 20th Century Fox. It has long been a contention of mine that Payne was signed by Darryl Zanuck because he looked a whole lot like Tyrone Power and could sing and thus carry his end of musical films with Alice, Betty Grable, June Haver, etc. Funny thing is when he left Fox, Payne abruptly stopped doing musicals and concentrated on all kinds of other films. He never sang a note on screen after 1946.
Putting it mildly this is not the history of the origin of commercial broadcast radio. Still it's a pleasant 90 minutes or so of musical entertainment with Alice Faye, John Payne, Jack Oakie, the Ink Spots, the Wiere Brothers, and the tap dancing Nicholas Brothers. I won't even quibble about how one enjoyed the Nicholas Brothers tap dance on radio.
In 1919 flier John Payne, radio electrician Jack Oakie, saloon singer Alice Faye, and millionaire Cesar Romero essentially all team up to launch commercial radio. If you're wondering what Payne's specialty and what he brought to the table, he was the promoter of the bunch, a role he would repeat in Tin Pan Alley and Hello Frisco Hello also with Faye and Oakie. Alice has all three of these guys panting for her, but her heart belongs to Payne even though he's a bit of fathead and doesn't appreciate what he has.
Harry Warren and Mack Gordon wrote the songs for The Great American Broadcast, the best of which is I Take To You which should have done a whole lot better in record sales. Oakie has a very funny bit trying to fake an operatic tenor during an early broadcast.
The event which launches the quartet in the broadcasting business was the famous Jess Willard-Jack Dempsey heavyweight championship fight and director Archie Mayo did a very good job integrating newsreel footage of the fight with the cast. In the opening montage you'll also see a whole lot of radio personalities who were big in 1940.
As Alice Faye is one of my real favorites I'm prejudiced, but The Great American Broadcast holds up very well after over 70 years even if it isn't the history of radio.
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