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The Great American Broadcast (1941)

After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ... See full summary »

Director:

Archie Mayo

Writers:

Don Ettlinger (original screen play), Edwin Blum (original screen play) | 2 more credits »
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Cast

Cast overview, first billed only:
Alice Faye ... Vicki Adams
Jack Oakie ... Chuck Hadley
John Payne ... Rix Martin
Cesar Romero ... Bruce Chadwick
James Newill ... Singer
Charles Fuqua Charles Fuqua ... Song Specialty
The Ink Spots The Ink Spots ... The Four Ink Spots (as The Four Ink Spots)
Hoppy Jones Hoppy Jones ... Song Specialty
Bill Kenny Bill Kenny ... Ink Spots Member
Deek Watson Deek Watson ... Song Specialty
The Nicholas Brothers ... Dancers (as Nicholas Brothers)
Fayard Nicholas ... Railroad Station Dance Specialty (as The Nicholas Brothers)
Harold Nicholas ... Railroad Station Dance Specialty (as The Nicholas Brothers)
The Wiere Brothers The Wiere Brothers ... Dancers (as Wiere Brothers)
Mary Beth Hughes ... Secretary
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Storyline

After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Taglines:

THE GAYEST MUSICAL OF THEM ALL! 7 NEW SONG HITS! (original print ad-all caps) See more »


Certificate:

See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

9 May 1941 (USA) See more »

Also Known As:

Addio Broadway! See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Original 1919 Jess Willard-Jack Dempsey fight film footage used. See more »

Goofs

When Rix Martin (John Payne) first sees the radio equipment Chuck Hadley (Jack Oakie) has set up in his room, he thinks it's a still for making bootleg liquor. But the scene takes place in early 1919, before Prohibition had taken effect. See more »

Connections

Featured in Biography: Dorothy Dandridge: Little Girl Lost (1999) See more »

Soundtracks

It's All in a Lifetime
Music by Harry Warren
Lyrics by Mack Gordon
Performed by Alice Faye and chorus
Also performed by The Wiere Brothers during their radio performance as "The Stradivarians"
See more »

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User Reviews

 
Great Musical, but not the history of the origin of radio
30 June 2011 | by bkoganbingSee all my reviews

The Great American Broadcast marks the first of four films that Alice Faye teamed with John Payne at 20th Century Fox. It has long been a contention of mine that Payne was signed by Darryl Zanuck because he looked a whole lot like Tyrone Power and could sing and thus carry his end of musical films with Alice, Betty Grable, June Haver, etc. Funny thing is when he left Fox, Payne abruptly stopped doing musicals and concentrated on all kinds of other films. He never sang a note on screen after 1946.

Putting it mildly this is not the history of the origin of commercial broadcast radio. Still it's a pleasant 90 minutes or so of musical entertainment with Alice Faye, John Payne, Jack Oakie, the Ink Spots, the Wiere Brothers, and the tap dancing Nicholas Brothers. I won't even quibble about how one enjoyed the Nicholas Brothers tap dance on radio.

In 1919 flier John Payne, radio electrician Jack Oakie, saloon singer Alice Faye, and millionaire Cesar Romero essentially all team up to launch commercial radio. If you're wondering what Payne's specialty and what he brought to the table, he was the promoter of the bunch, a role he would repeat in Tin Pan Alley and Hello Frisco Hello also with Faye and Oakie. Alice has all three of these guys panting for her, but her heart belongs to Payne even though he's a bit of fathead and doesn't appreciate what he has.

Harry Warren and Mack Gordon wrote the songs for The Great American Broadcast, the best of which is I Take To You which should have done a whole lot better in record sales. Oakie has a very funny bit trying to fake an operatic tenor during an early broadcast.

The event which launches the quartet in the broadcasting business was the famous Jess Willard-Jack Dempsey heavyweight championship fight and director Archie Mayo did a very good job integrating newsreel footage of the fight with the cast. In the opening montage you'll also see a whole lot of radio personalities who were big in 1940.

As Alice Faye is one of my real favorites I'm prejudiced, but The Great American Broadcast holds up very well after over 70 years even if it isn't the history of radio.


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