When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Sullivan is a successful, spoiled, and naive director of fluff films, with a heart-o-gold, who decides he wants to make a film about the troubles of the downtrodden poor. Much to the chagrin of his producers, he sets off in tramp's clothing with a single dime in his pocket to experience poverty first-hand, and gets some reality shock.Written by
Bob Doolittle <Bob.Doolittle@east.sun.com>
When Sullivan is outside the boxcar door, encouraging the girl to jump out to him, the background scenery is unsynchronized. From the live-action shot taken outside, he is trotting along safely at about five miles per hour, but seen from inside, the scenery is moving behind him at breakneck speed, giving the illusion that Sullivan is being dragged on roller skates. See more »
In the opening credits, the Paramount logo is depicted as a seal on a package wrapped in brown paper. The package is opened, revealing a book with the title of the movie. The pages are turned to show the credits. See more »
This is one of those films I keep rating higher each time I watch it. At first I thought it was just "fair" and, frankly, overrated, but I don't think so now. I especially would recommend seeing this on the Criterion DVD version to get the best picture available. I'm not plugging that company because I think their discs are overpriced, but they do a great job giving you the best transfer of these classics you'll ever find and it made this film even better.
The story is very different: one that suddenly turns 180 degrees in the last segment. After a more lighthearted combination of drama and humor through much of the story, the film gets surprisingly rough in the last 20 minutes and is not always fun to watch and the leading man, Joel McCrea, goes through some very, very tough times.
This is one of Veronica Lake's more appealing roles and, although not a beautiful women, she's intriguing enough - especially with her fabulous long blonde hair - to make me glad I have at least one sharp-looking film of her.
Overall, this Preston Sturges-directed movie is good stuff and a classic film that deservedly still has a solid reputation.
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