With the help of a smooth talking tomcat, a family of Parisian felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country.
It's spring, and all the animals of the forest are excited by the forest's latest birth, a buck fawn his mother has named Bambi. The animals are more excited than usual as Bambi's lineage means he will inherent the title of prince of the forest. Along with his mother, Bambi navigates through life with the help of his similarly aged friends, Thumper, a rabbit kit who needs to be continually reminded by his mother of all the lessons his father has taught him about how to live as a rabbit properly, and Flower, a skunk kit who likes his name. As different animals, they have their own issues and challenges which may not translate to the others. Being similarly aged, Bambi, Thumper and Flower may have to experience the uncharted phases of their lives without the knowledge or wisdom unless gleaned from those who have gone through them before. Bambi has to learn early that the lives of deer and of many of the other forest animals are not without their inherent dangers, for deer especially in ...Written by
One of the discarded ideas for the film was to depict Bambi's mother death on screen. It was regarded as too dramatic to include. See more »
Also during the fire sequence Faline awakes with brown eyes, instead of her usual blue, they remain brown all through the dogs/fire sequence and return to blue when she is at the thicket with her new babies. See more »
The RKO logo is in dark teal on a lighter teal background, and there are branches with leaves (in the same dark teal color) surrounding the logo. See more »
The original theatrical release had the RKO print logo at the front of the film. On the 1989 and 1997 American VHS, the "Walt Disney presents" title card is the start of the film. For the 2005 Region 1 DVD release, the theme has a slight musical extension to fill in a new time gap made by a shorter version of the Walt Disney logo, which is perfectly in sync with the music. After the logo ends, the Walt Disney title card appears, and the film starts normally. It is unknown if this musical extension is in the original theatrical release, though it can be heard on some older Super 8 film prints. See more »
Walt Disney didn't make another full-length animated film until 1950, by which time his golden age had well and truly passed. Was `Bambi' a quiet, gentle farewell, then? If you haven't seen it you could be forgiven for thinking so; and the slightly over-sugared opening scenes might confirm this view. But prepare to be jolted out of your seat. The forest contains darkness as well as light. The gunshots that ring out across the silences are truly alarming (and there are many ways Disney and Hand make them more alarming: consider the scene where a flock of birds are cowering in the grass, until one decides to fly into the air and risk death rather than put up with the suspense). Also worth noting about `Bambi' is its use of psychological colour. In at least three key scenes, the colour scheme shifts wildly, not because the sun has set or anything of that kind, but in order to illustrate Bambi's psychological state. Particularly fine is the scene where he is running away from the clearing in fear and the world turns into just a few pale and dirty shades of yellow.
The greatest thing is the way Disney manages to convince us that there is nothing else in the world, outside the forest. Not once do we see a horizon. Nor do we sense one. By some standards not much happens in the forest - a few deaths, a few births, what else is new? But when the forest is the whole world they matter a good deal.
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