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Casablanca (1942)

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A cynical American expatriate struggles to decide whether or not he should help his former lover and her fugitive husband escape French Morocco.

Director:

Michael Curtiz

Writers:

Julius J. Epstein (screenplay), Philip G. Epstein (screenplay) | 3 more credits »
Popularity
610 ( 83)
Top Rated Movies #36 | Won 3 Oscars. Another 5 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
Humphrey Bogart ... Rick Blaine
Ingrid Bergman ... Ilsa Lund
Paul Henreid ... Victor Laszlo
Claude Rains ... Captain Louis Renault
Conrad Veidt ... Major Heinrich Strasser
Sydney Greenstreet ... Signor Ferrari
Peter Lorre ... Ugarte
S.Z. Sakall ... Carl (as S.K. Sakall)
Madeleine Lebeau ... Yvonne (as Madeleine LeBeau)
Dooley Wilson ... Sam
Joy Page ... Annina Brandel
John Qualen ... Berger
Leonid Kinskey ... Sascha
Curt Bois ... Pickpocket
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Storyline

The story of Rick Blaine, a cynical world-weary ex-patriate who runs a nightclub in Casablanca, Morocco during the early stages of WWII. Despite the pressure he constantly receives from the local authorities, Rick's cafe has become a kind of haven for refugees seeking to obtain illicit letters that will help them escape to America. But when Ilsa, a former lover of Rick's, and her husband, show up to his cafe one day, Rick faces a tough challenge which will bring up unforeseen complications, heartbreak and ultimately an excruciating decision to make. Written by Kyle Perez

Plot Summary | Plot Synopsis

Taglines:

They had a date with fate in Casablanca! See more »

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated PG for mild violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | French | German | Italian

Release Date:

23 January 1943 (USA) See more »

Also Known As:

Everybody Comes to Rick's See more »

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Box Office

Budget:

$950,000 (estimated)

Opening Weekend USA:

$181,494, 12 April 1992, Limited Release

Gross USA:

$1,024,560, 16 November 2017

Cumulative Worldwide Gross:

$14,952,620, 31 December 1943
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Hal B. Wallis' first choice for director was William Wyler. See more »

Goofs

During Renault's first visit to Rick's office, Renault sits in a sofa in Rick's office. To his left is a table. When he gets up from the sofa, a small figure of a woman has suddenly appeared clearly visible on the table. See more »

Quotes

[first lines]
Narrator: With the coming of the Second World War, many eyes in imprisoned Europe turned hopefully, or desperately, toward the freedom of the Americas. Lisbon became the great embarkation point. But, not everybody could get to Lisbon directly, and so a tortuous, roundabout refugee trail sprang up - Paris to Marseilles... across the Mediterranean to Oran... then by train, or auto, or foot across the rim of Africa, to Casablanca in French Morocco. Here, the fortunate ones through money, or ...
[...]
See more »

Alternate Versions

At the time of release, the film was banned in Germany because the story was considered to be anti-Nazi propaganda by the wartime censors. After the end of World War II, the picture was finally released in Germany but with around 20 minutes of footage cut (all scenes with Major Strasser and all references to Nazism). Other scenes were dubbed so that they had a totally different meaning (Victor Laszlo became Victor Larsen, an atomic physicist). In the 70s the film was redubbed by the ZDF, this time in its uncut form. See more »

Connections

Referenced in Mike & Mike: Episode dated 9 February 2016 (2016) See more »

Soundtracks

Crazy Rhythm
(1928) (uncredited)
Music by Joseph Meyer and Roger Wolfe Kahn
Played when Rick turns the man away and then talks to Ugarte
(originally from the 1928 Broadway musical "Here's Howe!")
See more »

Frequently Asked Questions

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User Reviews

A Classic Worth Remembering
6 December 2001 | by Snow LeopardSee all my reviews

While there's not anything new to be said about "Casablanca", it's good to see one of the classics still getting some attention. By most standards it is at least very good, and there are good reasons why so many still remember it so fondly. Not everyone who watches it today shares the opinion that it is a classic, but it's still good to see fans of modern movies giving it a try for themselves.

The cast is one of its main strengths, not just Bogart and Bergman but also the fine supporting cast. Rains, Greenstreet, Lorre, and the others are indispensable to the atmosphere and the story, and each has some very good moments. It does have its imperfections, but it was not expected to be a classic or blockbuster - everything you read about the production suggests that it was made in a rather slap-dash fashion, under constraints that would have wrecked most other films. It's not hard to see the little ways that this affected the finished product, such as the times when the plot strains credibility a bit, or the characters seem to behave somewhat oddly. (In particular, it might have been even more satisfying if Bergman's character had been a little stronger - Ilsa is charming, but that's entirely thanks to what Bergman does with her; the character herself as written seems somewhat shallow.)

But it turned out anyway to be an excellent combination of actors, characters, and story, a combination that more than makes up for everything else. Different viewers probably remember and enjoy "Casablanca" for different reasons, because it seemingly has a little of everything. While perhaps not perfect, it is well worth remembering and watching.


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