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The Glass Key (1942)

Not Rated | | Crime, Drama, Film-Noir | 23 October 1942 (USA)
A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.

Director:

Stuart Heisler

Writers:

Jonathan Latimer (screen play), Dashiell Hammett (based on the novel by)
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Cast

Complete credited cast:
Brian Donlevy ... Paul Madvig
Veronica Lake ... Janet Henry
Alan Ladd ... Ed Beaumont
Bonita Granville ... Opal Madvig
Richard Denning ... Taylor Henry
Joseph Calleia ... Nick Varna
William Bendix ... Jeff
Frances Gifford ... Nurse
Donald MacBride ... District Attorney Farr
Margaret Hayes ... Eloise Matthews
Moroni Olsen ... Ralph Henry
Eddie Marr Eddie Marr ... Rusty
Arthur Loft ... Clyde Matthews
George Meader George Meader ... Claude Tuttle
Rest of cast listed alphabetically:
Tom Dugan ... Jeep (scenes deleted)
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Storyline

During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph's son, Taylor Henry, a gambler and the lover of Paul's sister Opal, is murdered, Paul's right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The Tougher They Are - The Harder They Fall


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

23 October 1942 (USA) See more »

Also Known As:

Der gläserne Schlüssel See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The always aloof Alan Ladd, a former laborer, preferred the friendship of film crew than other actors or studio execs. Yet he was able to form lasting friendships with a few of his costars, especially William Bendix. Bendix accidentally cold-cocked Ladd during a particularly vicious fight scene in this film. Ladd was so taken aback by the sincerity of Bendix's apologies that they formed an immediate and unlikely friendship. They even purchased homes across the street from one another at one point. According to Bendix's wife Tess, the bond was strained in later years after Ladd's wife and manager, Sue Carol, made an offhand remark about Bendix's lack of military service. Stuck in the middle, it would be a decade before the wounds healed between the two. By then, Ladd was career down and self-destructive, leaning heavily on Bendix, who was thriving out of town frequently in the 1960s with stage work. Bendix's heartbreak was evident in the wake of Ladd's premature death (and probable suicide) in January of 1964. Bendix's health failed quickly and he too died (of bronchial pneumonia) a week or so before Christmas that same year. See more »

Goofs

In Farr's office, when Ed is slowly tucking the anonymous letter in his inside pocket, Farr tells him he expects a visit from Nick. The camera is on Ed who abruptly takes his hand out of his inside pocket and turns to Farr, but then the camera cuts to show both him and Farr and he's still tucking the letter in his inside pocket. See more »

Quotes

Nurse: Are you awake? There's a lady here to see you.
Ed Beaumont: What kind of a lady?
Nurse: Miss Janet Henry.
Ed Beaumont: Tell her to go away.
Nurse: I can't do that. She knows you're better.
Ed Beaumont: When are we gonna be alone again?
Nurse: *Never* if I can help it.
Ed Beaumont: Then I suppose I'll *have* to see her.
Nurse: No wonder people *beat* you up.
See more »

Connections

Featured in The Best of Film Noir (1999) See more »

Soundtracks

I Remember You
(uncredited)
from The Fleet's In (1942)
Music by Victor Schertzinger
Played as background music when Opal meets Taylor
See more »

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User Reviews

A good mystery form the author of The Maltese Falcon
23 August 1999 | by mossiconSee all my reviews

The Maltese Falcon is better than this but I enjoyed it. Not one of the best film-noirs I've ever seen but it was solid. The duo of the two torturer's worked good as comic relief. The thing about noir's are, it's the atmosphere not the story per se, and I think this film works in that regard.


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