The local building-contractor Martin Roumagnac is fascinated by the fashionable Blanche Ferrand. To impress Blache, Martin presents her with a villa. However, this ruins him financially. ... See full summary »
Hank McHenry and Johnny Marshall work on a road crew for the power company. In a freak accident Hank is injured and is promoted to foreman of the gang. One night Hank and Johnny meet Fay Duval in a clip joint, but tensions start to show in the road crew as rivally between Hank and Johnny increases.Written by
Col Needham <firstname.lastname@example.org>
This film's earliest documented telecast took place in Tucson Sunday 30 September 1956 on KDWI (Channel 9); it first aired in Albuquerque Saturday 27 October 1956 on KOAT (Channel 7), in Salt Lake City Tuesday 19 February 1957 on KUTV (Channel 2), in New York City Saturday 23 February 1957 on WCBS (Channel 2), in Indianapolis Sunday 17 March 1957 on WFBM (Channel 6), and in Phoenix Monday 24 June 1957 on KVAR (Channel 12). See more »
After Johnny bails Fay out of jail, they are seen walking together down a stairway at the police station. When they arrive at the first landing, as they turn and continue to descend the stairs, the shadow of the microphone boom can be seen on the wall behind them. See more »
Power-line repairman Edward G. Robinson marries prostitute Marlene Dietrich, but she finds herself enamored by hubby's best friend and colleague, a gallant George Raft.
There is much to enjoy in Raoul Walsh's exhilarating melodrama, and although it adheres rather too strictly to a proved formula, Walsh, always a great master at this, gives depth and dimension to the action. Walsh paints a vivid and loyal picture of this blue-collar environment of camaraderie and pranks, and Alan Hale's repairman is the whole deal rolled into one, there is not ONE joke about high voltage that he doesn't know, or doesn't repeat, ad nauseam. Every workplace has one! 'Manpower' is full of the trademark Walsh dynamics, comparable to the electric power, the frequent thunderstorms and the high tempo. The action is engrossing, the film overall is smoothly produced, briskly edited, brilliantly lit, designed and photographed. Never did sleekly wet, black raincoats photograph more memorably.
Robinson and Raft are congenially cast, but Dietrich is a long-shot as the prostitute turned housewife. "How's this dame stacked up?", Robinson asks of Raft, before he is introduced to her. Raft, waveringly: "Oh, just a dame ...". Well, she photographs like a goddess, and is impossibly glamorous. And quite improbably so.
Don't expect another Walsh masterpiece, but brace yourself for a hugely enjoyable flic that just whirls by you.
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