Elmer Fudd narrates a newsreel (but is never seen on screen). A hunter uses a moose call; the moose answers back using a hunter call. A barber uses an invention to startle a boy. A man uses...
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Elmer Fudd narrates a newsreel (but is never seen on screen). A hunter uses a moose call; the moose answers back using a hunter call. A barber uses an invention to startle a boy. A man uses a rear-view mirror to guard his hat while eating, but that's not all he should have guarded. In a laboratory, we see how rabbits multiply: 2x2=4, etc. Fireflies are having a blackout. An artist uses his thumb to get the proportions correct as a model is posing. A baby chick follows along as ducks take their first swim. In the South, the traffic signs read "No U-All Turns." A baseball pitcher throws a dollar across the Potomac, but it gets only halfway; his Scotty dog explains that a dollar doesn't go as far. A fox hunt: the dogs run in circles, because the lead dog is romancing the fox. A new department store is about to be built, and it's already attracted a protestor. Finally, we see a series of battleships, all in the rain except the U.S.S. California, in bright sunshine.Written by
Jon Reeves <firstname.lastname@example.org>
A series of black-out gags, the sort of tidbits you might get in the news reels in the era, but sharply written by Warren Foster, beautifully directed by the inimitable Bob Clampett and narrated in the radio-perfect voice of --- Elmer Fudd? While a couple fall flat, you might get an idea of how good this is by comparing it to HOBBY HORSE LAFFS, produced by Termite Terrace the same year, but written by Melvin Miller and directed by Norm McCabe, who would disappear into the army later in the year and who would never direct a cartoon again.
Schlesinger was moving production towards all color shorts, but there would be a few more through 1943, mostly directed by Frank Tashlin. By the end of 1944, all major cartoon production in the US would be in color.
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