6.9/10
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21 user 3 critic

This Above All (1942)

Approved | | Drama, Romance, War | 12 May 1942 (USA)
Although she comes from an aristocratic family, beautiful Prudence Cathaway defies convention by joining the WAAFs and becoming romantically involved with an AWOL soldier.

Director:

Anatole Litvak

Writers:

Eric Knight (novel), R.C. Sherriff (screenplay)
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Won 1 Oscar. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tyrone Power ... Clive Briggs
Joan Fontaine ... Prudence Cathaway
Thomas Mitchell ... Monty
Henry Stephenson ... General Cathaway
Nigel Bruce ... Ramsbottom
Gladys Cooper ... Iris Cathaway
Philip Merivale ... Dr. Roger Cathaway
Sara Allgood ... Waitress
Alexander Knox ... Rector
Queenie Leonard ... Violet Worthing
Melville Cooper ... Wilbur
Jill Esmond ... Nurse Emily Harvey
Holmes Herbert ... Dr. Mathias
Denis Green Denis Green ... Dr. Ferris
Arthur Shields ... Chaplain
Edit

Storyline

Aristocratic Prudence Cathaway shocks her family by enlisting in the WAFs. After enlisting, a fellow WAF sets her up on a blind date with handsome, but moody Clive Briggs. Prudence learns Clive is a deserter, but still loves him and senses he'll eventually prove himself a patriot. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

He's lost his belief in everything but love.

Genres:

Drama | Romance | War

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 May 1942 (USA) See more »

Also Known As:

Âmes rebelles See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on September 14, 1942 with Tyrone Power reprising his film role. See more »

Goofs

At a U.K. train station, there are signs indicating 'tracks.' In England, these are known as 'platforms.' See more »

Quotes

Clive Briggs: A man must have integrity. He's not entitled to free thought unless he's willing to pay the price of admitting it. Dare not admit what I believe, then I have no right to believe it
See more »

Connections

References Crime Over London (1936) See more »

Soundtracks

Loch Lomond
(uncredited)
Traditional
Played as dance music at the pub
See more »

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User Reviews

 
Class Carries Responsibility
23 December 2009 | by bkoganbingSee all my reviews

Although the English born, Laurence Olivier, Richard Greene, or Robert Donat would have done the part of Clive Briggs great justice, there was nothing wrong with the performance Tyrone Power gave in This Above All. Power does not even attempt an English accent, yet his performance is every bit as good as Robert Taylor's in Waterloo Bridge.

Eric Knight's novel was a big seller and the film is a serious examination as to why this is the people's war. In a curious way Power's views which do undergo a radical transformation are a mirror image of what Marlon Brando said in The Young Lions about class distinctions.

And in the same year of This Above All, Teresa Wright in Mrs. Miniver upheld the tradition of the upper classes. One of my favorite scenes from that film is Wright telling Richard Ney about the things she's involved in to make her corner of the world better. Joan Fontaine feels the same way, before she meets the cynical Power she tells her family that she feels she has to get in and do her bit. She joins the Women's Auxiliary Army Force as an enlistee, not even an officer. She feels as did Wright that class also carries responsibility.

Power and Fontaine are a perfectly matched pair, she just coming off her Oscar and him at the height of his box office draw. Hollywood's English colony fills out the rest of the cast with the exception of Thomas Mitchell who is inevitably Irish.

This Above All won an Oscar for Best Art Direction and it was nominated in several other categories. The film holds up remarkably well because it is both patriotic, but a very atypical and cynical film for its time, not your normal flag-waver.


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