Stan inherits a yacht and a South Pacific island. Ollie and Stan sail there with 2 other men. They shipwreck on a new atoll and settle there. An ex-fiancee joins them. They declare an independent nation and problems arise.
Stan, who has remained faithfully at his World War I post for twenty years, finally comes home where his best friend, Ollie, takes him in, thus allowing him to discover the many conveniences of the modern world.
The boys operate a ballet school (appearing in drag) and try to help a young inventor sell his idea, to get in the good graces of his girl's father. In their efforts, they get involved with a gang of insurance racketeers. All ends well.Written by
Herman Seifer <firstname.lastname@example.org>
Several cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): William Haade and Jack Stoney (Truck Drivers), Arthur Space (Director), Jay Wilsey (Stage Driver) and Chick Collins (Bus Driver). One truck (causing an accident) was seen, but the driver was hidden. The bus had an unidentified female driver. A modern source lists Hallam Cooley as the Barker, but that role was played by Brooks Benedict. See more »
When the bricks begin to rhythmically hit Hardy on the head, the sound effect can be heard prior to the bricks making contact. See more »
[taking a book out of the bookcase]
"Boswell's Life of Johnson." Gee, I bet that's interesting.
Yeah, I remember that Jess Willard knocked him out. It sure was a hot day!
Gee, I'll have to read that.
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Up until Fox released these two three-disc sets of Laurel and Hardy's later films, I had only seen the three that had been previously available on video - and "The Dancing Masters" wasn't one of them. I have to say that as a life-long Laurel and Hardy fan I was very pleasantly surprised.
Even taking the considerable negatives into account: rock-bottom production values, chop-shop editing, and an incoherent "narrative," it's downright astonishing to behold this pair so effortlessly mining genuine laughs from such old and cast-away material.
From the "safe combination" routine near the opening to the "wet pants" bit with co-star Bob Bailey, I found this film to be a real treat - and I screened it with a friend who is not a big L&H fan - he loved it. It's the little things Stan and Ollie did - the gestures, the expressions, the glances - that made their style of comedy absolutely unique in film history. Like "The Bullfighters," my favorite among the L&H Fox films, this one has plenty of those moments, and has such a short running time that you can stick it in your player again right away and savor what you missed the first time around. I can't speak for the legions of other L&H fans, but I personally experienced a higher laugh count from this film than from many of their more minor Hal Roach shorts (sorry, Fox-haters).
The only thing I did not like or understand about "The Dancing Masters" was the print quality. As released in this two-volume DVD set, the other five Fox films look to have been pressed from the actual masters, thus providing superlative picture and sound quality. But, this film suffers from a grainy, scratchy picture that even at times grows blurry and somewhat undefined. And, there several jarring "pops" and a lot of low-volume crackling on the soundtrack. Is there anyone out there who knows why Fox couldn't find a better print for release with this otherwise outstanding set?
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