Ivan Kouznetsoff, a Russian engineer, recounts during World War II his stay in England prior to the war working on a new propeller for ice-breaking ships. Naive about British people, and ...
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Queen Elizabeth is running this show. The men in her court should be thinking about how to add to the glory of the Elizabethan Age and how to foil those pesky Spanish who got far too much ... See full summary »
William K. Howard
Ivan Kouznetsoff, a Russian engineer, recounts during World War II his stay in England prior to the war working on a new propeller for ice-breaking ships. Naive about British people, and convinced by hearsay that they are shallow and hypocritical, Ivan is both bemused and amused by them. He is blunt in his opinions about Britons, and at first this puts off his hosts, including the lovely Ann Tisdall, whose grandfather runs the shipbuilding firm that will make use of Ivan's propeller. The longer Ivan stays, however, the more he comes to understand the humor, warmth, strength, and conviction of the British people, and the more they come to see him as a friend, rather than merely a suspicious Russian. As a romantic bond grows between Ivan and Ann, a cultural bond begins to grow as well, particularly as the war begins, and Russia is attacked by Germany.Written by
Jim Beaver <firstname.lastname@example.org>
Beatrice Harrison's cello-and-nightingale broadcasts were mostly in the 1920s, but in any case no live broadcast would have been made during an air raid since it would give information to the enemy. (For this reason recordings were used for Big Ben chimes instead of the live feed when an air raid was in progress.) See more »
Here's a book for you, dear, "Crime and Punishment". It's about a Russian who kills an old woman with an axe. Good Night, dear!
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Opening credits prologue: "Joking decides great things stronger and better oft than earnest can . . ." See more »
This film is relatively unknown which is a mystery to me. It is one of the great wartime fims of the period.
A wonderfully written story with great direction and a perfect cast. Lord Olivier is absolutely marvelous in the lead, as one might expect, but the supporting actors are equally marvelous with special mention to Penelope Dudley-Ward who charms from her first entrance. Olivier's Russian accent never waivers for a moment but some of his best scenes are those in which ha has no dialogue at all. His bit of business and subtle facial expressions show his immense talent.
See this film if you have the opportunity.
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