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True to Life (1943)

A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life ... See full summary »


George Marshall


Ben Barzman (story), Sol Barzman (story) | 3 more credits »


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Cast overview:
Mary Martin ... Bonnie Porter
Franchot Tone ... Fletcher Marvin
Dick Powell ... Link Ferris
Victor Moore ... Pop Porter
Mabel Paige ... Mom Porter
William Demarest ... Uncle Jake
Clarence Kolb ... Mr. Huggins
Beverly Hudson Beverly Hudson ... Twips
Raymond Roe ... Clem
Ernest Truex ... Oscar Elkins
Harry Shannon ... Mr. Mason


A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life antics. The show becomes a big hit, but he begins to feel guilty about his charade when he falls in love with the family's pretty older daughter. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis




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Release Date:

24 December 1943 (USA) See more »

Also Known As:

Dois Solteiros em Apuros See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »


Hiding electronic equipment under a pillow, as Link does, would before long ignite the pillow and start a fire, due to the hot incandescent vacuum tubes needed to operate such equipment at the time. See more »


Bonnie Porter: You know some people like to put mustaches on pictures and some collect matchbooks? Well, I like to fill in the blanks. It's sort of an investment in the bank of life. You plant seeds, you get flowers.
See more »


The Old Music Master
Music by Hoagy Carmichael
Lyrics by Johnny Mercer
Sung by Dick Powell (uncredited)
See more »

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User Reviews

Not true to life, and not funny
30 September 2018 | by rhoda-9See all my reviews

Another specimen of the mass-produced corn that moviemakers churned out in the war years. Plot has Dick Powell, as a blocked radio scriptwriter, boarding with a normal-but-cute family. (Daughter Mary Martin mistakes him for a down-and-out, and he plays along so as to use their domestic chitchat for his radio characters. Of course, no one in this lovable, guileless family notices that his clothes are those of someone who earns $1,000 a week--in 1943!) Franchot Tone, in one of his many useless-playboy roles, keeps hanging around for some reason.

Instead of comedy gold, however, the dialogue is routine, and the family a bland rewrite of You Can't Take It With You, down to a dizzy father who invents nutty things, a lot of which blow up, in the basement. Father is Victor Moore, the comedian whose supposed humor relies on his being doddery and dim--the kind of person you want to kick in real life, and in this movie too. Mother is a crabby scold, and William Demarest is William Demarest. There are also two teenage children who are...teenagers. My, how comical.

There are three songs by the heavenly team of Johnny Mercer and Hoagy Carmichael, but two of these are ordinary. The exception is "The Old Music Master," the duo's jumpin'-jive reprimand to cornballs. This delightful number, with witty and offbeat lyrics, is not just the only bright spot but an unwitting self-criticism, for, ironically, it is stuck in a phony movie about American wholesomeness.

A particularly grating example of the moviemakers' determination to make the family "ordinary"--ie, uneducated: Martin says that for years she has loved the opening lines of a certain poem, and has never come across anyone who knew the rest. And what are these obscure lines? "How do I love thee? Let me count the ways" !!!!!! Okay, there was no internet in 1943, but we had librarians and teachers and dictionaries of quotations and... Poor Mary! Having to play a dope who only knows other dopes!

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