A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Detective Mark McPherson investigates the killing of Laura, found dead on her apartment floor before the movie starts. McPherson builds a mental picture of the dead girl from the suspects whom he interviews. He is helped by the striking painting of the late lamented Laura hanging on her apartment wall. But who would have wanted to kill a girl with whom every man she met seemed to fall in love? To make matters worse, McPherson finds himself falling under her spell too. Then one night, halfway through his investigations, something seriously bizarre happens to make him re-think the whole case.Written by
Steve Hosgood <firstname.lastname@example.org>
The first cut of the film included a sequence in which Vincent Price sings a song and accompanies himself on the piano. Twentieth Century-Fox's PR department planted stories declaring that Price (who sang with the Yale Glee Club and had a song in The House of the Seven Gables (1940)) would become the next Perry Como. The number was cut, however, and Price's singing "career" never happened. See more »
Waldo has apparently found out that Laura does not intend to marry the Vincent Price character, per his early conversation with the detective, and yet he attempts to kill Laura anyway, which he would not do as he presumably could still believe there is a future for him and Laura. See more »
[narrating off screen]
I shall never forget the weekend Laura died. A silver sun burned through the sky like a huge magnifying glass. It was the hottest Sunday in my recollection. I felt as if I were the only human being left in New York. For with Laura's horrible death, I was alone. I, Waldo Lydecker, was the only one who really knew her, and I had just begun to write Laura's story when another of those detectives came to see me. I had him wait. I could watch him through the ...
[...] See more »
A scene cut from the theatrical version after its initial release was restored to the film in 1990. In it, Waldo Lydecker described how he transformed Laura's appearance and introduced her to high society. The studio worried that this obsession with decadent luxury would be offensive to WWII soldiers serving overseas, so the scene was deleted. See more »
One of the best suspense films of the 1940s, "Laura" is loaded with elegant sophistication, witty dialogue, unscrupulous characters, and romantic obsession, all wrapped in hauntingly beautiful music.
Lovely Gene Tierney is Laura; the young advertising executive allegedly murdered at the front door of her apartment. Dana Andrews is well cast as Mark MacPherson, the handsome, no nonsense detective assigned to unravel the case.
Clifton Webb is superb as Waldo Lydecker, Laura's mentor and an egocentric, effeminate newspaper columnist who has made a career of eliminating Laura's prospective suitors. Lydecker detests Shelby Carpenter (Vincent Price), a southern playboy to whom Laura is engaged. Anne Treadwell (Judith Anderson) is Laura's aunt who, incidentally, is in love with Carpenter herself.
As MacPherson sorts through the motives and alibis, he finds Laura too bewitches him. In one of the most memorable movie scenes of all time, Dana Andrews gives an intense performance of a man driven to distraction by the story of Laura, her letters, private diary, perfume, and hauntingly lovely portrait above the fireplace. Clearly agitated, he takes a drink as he sits in a chair beneath Laura's portrait. He falls asleep, and the audience is left wondering if his dreams of Laura are coming true, as she appears through the doorway. He awakens and rises from the chair, his soul shaken by the sight of Laura alive.
This intriguing story, combined with Clifton Webb's biting quips, Gene Tierney's beauty and elegance, Dana Andrews' intensity and dark good looks, and Vincent Price's sense of humor, makes this film immensely watchable again and again.
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