Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
Based on the characters from the MGM hit of the same name, this TV pilot is about one day in the life of the Smith family. At the turn of the twentieth century, the family is throwing a ... See full summary »
Irish colleen Nellie is in love with handsome Jerry Kelly, even though her father objects. Nellie and Jerry soon marry and announce plans to move to New York, which again angers Nellie's ... See full summary »
St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.Written by
Introducing Tootie riding in the horse drawn cart with Mr. Neely, this single camera sequence was filmed on the MGM sound stage in film process. The "moving background projected screen action" had been previously filmed by a second unit filming company, coordinated with extras, horse drawn and motorized vehicles moving as background action. The exterior MGM-Culver City back-lot set's background reveal the existing Culver City foothill terrain, located behind the exterior Victorian street set. Ignoring the fact that St. Louis is flat land country, the back-lot newly constructed Victorian Saint Louis street had "foothills". The "Trolley" sequence was also filmed on the same MGM sound stage in film process. The "process plates" are projected by a motion picture projector onto a "rear screen" set directly in center line with the film camera's lens. The distance between the projector and the rear screen requires approximately 200' of separation. The film process requires a huge stage for the process projector/screen set-up, which also must include the vehicle and actor's film action occurring in front of the screen projection screen. See more »
The family sings "Meet Me In St. Louis" in 1903, but it wasn't published until 1904. See more »
A rare version, dubbed in Spanish, exists, which was issued on VHS in Spain several years ago. This version features the entire soundtrack dubbed, including the songs, and several scenes deleted involving Margaret O'Brien deleted, dealing with Halloween, immediately after "The trolley song". TNT, in Latin America, after prologue dealing about how this film was restored presented it in its complete version but with the Spanish dubbed soundtrack lifted from that old version, which was not restored. For that reason, after "The trolley song" and during several minutes the films plays in English (after Judy Garland "sung" in Spanish) and then the audio reverts back to the dubbed version. Although that dubbed version was available in Spain, some people believe that it was actually produced in Mexico. See more »
This movie is sheer delight from start to finish. I'm sure St. Louis in 1904 wasn't really the same as its depicted here...but it should have been! Only the most jaded cynic imaginable could not be charmed by this film.
The songs are perfect, the cinematography, the set direction, costumes, everything really - MGM movie magic at its best! Vincente Minelli did a superlative job of direction, and the cast simply could not be bettered. Judy Garland gives what I feel is the most relaxed and charming performance of her career, and sings like an angel, not like the jittery bundle of nerves she would become in later life. Tom Drake is very winning as the "Boy Next Door" we should all be so lucky to have. But Margaret O'Brien absolutely steals the picture as the adorable but irrepressibly morbid Tootie, a refreshing change from the normally saccharine moppets of Hollywood's golden years. Marjorie Main also swipes a scene or two as the mouthy cook, and Mary Astor and Leon Ames give sterling support as the parents. Their "make-up" scene at the piano is beautifully done.
What a wonderful antidote this movie is when you need to retreat from the harsh world and have your spirits lifted for a while.
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