In this latter day Cain and Abel story, a jealous brother strikes down his sibling just as a young burglar is about to enter the house. The jealous brother summons police, who then charge ... See full summary »
Henry B. Walthall,
John Logan leaves his parents and sweetheart in bucolic Happy Valley to make his fortune in the city. Those he left behind become miserable and beleaguered in his absence, but after several... See full summary »
In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.Written by
Rod Crawford <firstname.lastname@example.org>
According to Turner Classic Movies, Joan Blondell performed a very "adult" scene during the filming of "A Tree Grows in Brooklyn," which the sensors deleted from the film's final cut. The Nolan children find a condom, and her character, Aunt Sissy, is tasked with describing to them what it is. She approaches this explanation with compassion as opposed to clinical coldness. Despite the fact that this scene was omitted from the final product, Blondell always considered it "the best work she ever did on screen." See more »
The portrait of General Washington in Francie's classroom was issued nationwide to public schools and buildings in 1932 to mark the bicentennial of his birth. The chronology of the story has events taking place at least 20 years earlier. See more »
People will still be enjoying this movie 100 years from now
I was not around in 1945 so I have no idea what was going on in the minds of the people who voted for what would be the five nominees for best picture of that year. Maybe this was just one of those movies that somehow didn't register right at first. Or maybe a movie about people living in poverty was not considered proper Oscar material. Anyway, I am sure there are millions today who agree with me that this is one of the great and beautiful movies of all time. The characters are so down to earth real and believable. Except maybe for the aforementioned poverty, you can identify with them and their situation and, therefore, you care about them. There are several very good and solid performances and then there is, of course, Peggy Ann Garner's performance; maybe the best ever by a juvenile in movie history. The most memorable scene for me is near the end, when the audience has just about forgotten about Papa, the director reminds us of him with the flowers and card found by Francie. I tell people who have not seen this movie that near the end there is a scene that will grab them around the throat. At least the voters saw fit to award Oscars to Peggy Ann and James Dunn.
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