After nearly running over him with her cab, Patty Mitchell picks up a fare who claims to have amnesia. As he fumbles to remember the basic facts of his identity, Patty becomes interested in...
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A lonely, mentally unbalanced woman invents a fictitious daughter and has the "daughter" write to a Marine stationed in the South Pacific. When the soldier returns back to the States, he ... See full summary »
A research scientist conducting experiments on a new anesthetic finds herself being blackmailed by a woman she accidentally knocked down with her car; the woman wasn't hurt, but a scheming ... See full summary »
Jim Fletcher, waking up from a coma, finds he is to be given a court martial for treason and charged with informing on fellow inmates in a Japanese prison camp during WWII. Escaping from ... See full summary »
A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. His crew paints her picture on ... See full summary »
A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.
After nearly running over him with her cab, Patty Mitchell picks up a fare who claims to have amnesia. As he fumbles to remember the basic facts of his identity, Patty becomes interested in the stranger and decides to help him in his search. But as the pieces of the puzzle begin to fall into place, and Patty's interest becomes more personal, the stranger finds that he is the prime suspect in a murder case.Written by
Chris Stone <email@example.com>
One of two wartime murder/mysteries starring Tom Conway in which he is aided by a female taxicab driver (due to the "man"-power shortage of WWII). Coincidentally, Emory Parnell and Jean Brooks also appear in both films. The other is "The Falcon In Hollywood" (1944). See more »
Near the end, when the police attempt to enter room 212, three bullets are shot through the door from inside the room. After the police gain access and the door swings open, the holes are absent. when it then swings back to reveal Barbara Borden, the holes once again appear. See more »
Catch that noirish opening—Ted (Conway) wandering around in the fog with an even bigger fog inside his head, not knowing who he is or where he came from. Good thing girl cabbie (it's still war time) Patty (Rutherford) helps him out since the cops think he's murdered someone. These look like classic elements of noir, especially with master of the genre Anthony Mann in charge. But this is early in his career when he was still doing programmers.
There may be some interest here for film historians since the movie appears to straddle two genres— the humorous murder mysteries of the 30"s and early 40's and the emerging noir crime dramas of the post-war period. Note how Mann uses a noirish close-up to dramatize Ted's recovering memory. Looks like his darker artistic side is looking for opportunities to surface.
Still, thick-headed cop (Parnell) and fast-talking reporter (Lane) remain anchored in Charlie Chan's and Falcon's of the earlier period. But however you cut it, the movie's still a fun diversion, with a bouncy Rutherford, a polished Conway, and a pay-me-by-the-word Lane. Just don't try to figure out the mystery. I lost track somewhere between the butler-did-it and the gorgeous Jane Greer's revealing gowns.
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