A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
When Michel, who's 22, tells his parents he is in love, his mother Yvonne is distraught, believing she will lose his love (which is the center of her life), and his father Georges is ... See full summary »
After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
Adélaïde, Belle, Félicie and Ludovic are young adult siblings who once lived in grandeur until their father's merchant ships were lost at sea. The family is now near ruin, but Adélaïde and Félicie nonetheless still squander away the family money on themselves and keeping beautiful, whereas Belle slaves around the house, doting on her father. Ludovic detests his two spoiled sisters, but is protective of Belle, especially with his friend Avenant, a handsome scoundrel who wants to marry Belle. Crossing the forest one dark and stormy evening, the father gets lost and takes refuge in a fantastical castle. Upon leaving, he steals a blossom off a rose bush, which Belle requested. The castle's resident, an angry beast, sentences him to one of two options for the theft of the rose: his own death, or that of one of his daughters. As she feels she is the cause of her father's predicament (despite her sisters asking for far more lavish gifts), Belle sacrifices herself to the beast. Upon arriving ...Written by
For the role of the Beast, Jean Marais's outer body was covered with animal hair. "On my face there's a plenty of cracks, wounds and itches and my hands are bleeding" Jean Cocteau wrote when he was hospitalized during filming, "but the face and the hands of Jean Marais are covered with a so painful crust that removing it is similar to suffer my treatments". See more »
Boom visible at the top of the picture during the entire scene when Ludovic and Avenant first approach Diane's pavilion. See more »
Get your hands off her! You want a black eye?
It's all right, Ludovic. He was asking me to marry him.
What did you say?
Your sister doesn't want me!
Bravo, Belle. I'm a scoundrel, and proud of it, but I won't stand to see you marry one.
Consider yourself warned. Now clear out, you hoodlum!
[Avenant punches Ludovic in the face]
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The title and some of the opening credits are written with chalk on a blackboard, and then erased. See more »
The 1946 American release of the film had an entirely different set of opening credits, and is the one available on VHS. In that release, these credits were presented straightforwardly, with nothing unusual about them, and with the title in English. In the film's original release, available on DVD, the credits were written on a blackboard, in what is known as cursive handwriting, the same type of writing in which the opening prologue appears. After every credit, Jean Cocteau's hand would erase it and write the next credit with what appeared to be chalk. Then, after the credits ended, a film clapboard was seen, it was slammed together, as they always are just before a film director yells "Action!", and then the film's written prologue was seen. See more »
When special effects anthologies are shown "Metropolis" is called the grandfather of film FX, "2001" is the son and "Star Wars" is the grandson. Invariably the French are forgotten. This is shameful, since the French were truly the masters of FX or "trick" shots. Following my analogy, Cocteau was the heir apparent of Melies.
"Beauty and the Beast" not only beautifully re-tells a beautiful story, but powerfully displays the Beast's magic. Cocteau's genius is that he makes simple editing techniques look like art and in this movie like the combination of art and magic. Watch what happens when Beauty gives one of her sisters a present from the Beast's castle which the Beast meant only for Beauty.
The version I saw was in French with English subtitles, but the visuals, in glorious black and white, are so stunning, you could almost cover up the subtitles and still understand what's going on.
I can't recommend this movie enough! It is #1 on my foreign film list.
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