Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
A young bride who comes from a rich family has a hard time adjusting to life in a boarding house with other soldiers and their wives. Her spoiled ways cause resentment from the other wives ... See full summary »
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate run by Karl Baumer; neither Moe nor Baumer is too happy with ... See full summary »
Daisy Kenyon (Joan Crawford) is a commercial artist living in New York City and having a 'back street' affair with a married lawyer, Dan O'Mara (Dana Andrews), whom she hopes to marry as ... See full summary »
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
After County Attorney Dave Connors helps Julia Norman with her shiftless father, Jefferson Norman, she leaves Jericho, Kansas to college to study for a law degree.A few years later, Algeria... See full summary »
A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
Philadelphia in the summer of 1876 and lots of celebration to mark America's first hundred years. The Rogers family are visited by their aunt Zenia (Constance Bennerr), who brings with her a young Frenchman, Philippe Lascalles (Cornel Wilde), who is in charge of the French pavillon. Rogers family daughters, Julia (Jeanne Crain) and Edith (Linda Darnell), fall in love with Philippe, while their father, Jesse Rogers (Walter Brennan), tries to promote his inventions and hang onto his railroad job. With Zenia's help, he does both, while Julia wins the love of Philippe and Edith finally says yes to her devoted suitor Dr. Ben Phelps (William Eythe).Written by
Les Adams <firstname.lastname@example.org>
In the song "The Right Romance," Jerome Kern borrowed liberally from himself. The song's bridge is nearly identical to the "Telll me that it's true, tell me you agree" coda of "Dearly Beloved" from You Were Never Lovelier (1942). See more »
Although Centennial Summer did not approach the success that MGM's Meet Me In St. Louis either artistically or financially, the film still has a lot to recommend it. It may be the only musical in history done with mostly non-musical performers with leads Linda Darnell and Jeanne Crain dubbed by other singers.
Darnell and Crain are sisters and daughters of Walter Brennan and Dorothy Gish who are just like the family in Meet Me In St. Louis with the problems that your average middle class families in the Centennial year of 1876 had. They're all looking forward to the Centennial World's Fair of that year.
Some complications get thrown into the mix when prim and proper Dorothy Gish gets a visit from Constance Bennett who is quite the jet setter in those days before jets and flying were accomplished facts. She's in from Paris and she's bringing with her a nephew by marriage played by Cornel Wilde. Wilde uses the same French accent he did in The Greatest Show On Earth and Sword Of Lancelot and he gets both the sisters romantic motors running. In the meantime earnest young William Eythe going into a new medical field of obstetrics is hanging around hoping to pick someone up on the rebound, but he's hoping it's Crain.
Centennial Summer is known for the fact that it was Jerome Kern's last musical project and it was released the year after Kern died. He used three different lyricists for the various songs, Oscar Hammerstein, II, E.Y. Harburg, and Leo Robin. All Through The Day with lyrics by Hammerstein got an Oscar nomination for best song as did Alfred Newman's overall musical scoring. The song which obviously the studio thought would be the big hit was entrusted to a real singer Larry Stevens and introduced in a musical hall sequence.
I'm not sure what Darryl F. Zanuck was thinking in not casting the already proved Dolly Sister team of Betty Grable and June Haver in the leads. The film might have been better if he had.
Still for those like myself who love the music of Jerome Kern, Centennial Summer is a must see film.
3 of 3 people found this review helpful.
Was this review helpful to you?
| Report this