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The Gangster (1947)

Approved | | Crime, Drama, Film-Noir | 25 November 1947 (USA)
Shubunka (Barry Sulivan) is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner. The police are in his pocket and the local hoods are on his payroll.

Director:

Gordon Wiles

Writers:

Daniel Fuchs (story "Low Company"), Daniel Fuchs (screenplay)
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Cast

Complete credited cast:
Barry Sullivan ... Shubunka
Belita ... Nancy
Joan Lorring ... Dorothy
Akim Tamiroff ... Nick Jammey
Harry Morgan ... Shorty (as Henry Morgan)
John Ireland ... Karty
Sheldon Leonard ... Cornell
Fifi D'Orsay ... Mrs. Ostroleng
Virginia Christine ... Mrs. Karty
Elisha Cook Jr. ... Oval
Ted Hecht Ted Hecht ... Swain (as Theodore Hecht)
Leif Erickson ... Beaumont
Charles McGraw ... Dugas
John Kellogg ... Sterling
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Storyline

Shubunka is the self-made head of the rackets in the sleazy boardwalk community of Neptune City, a low-rent version of Coney Island. He has become infatuated with a sultry nightclub chanteuse and lavishes her with gifts and attention, spending money on her that might better go to maintaining his hold on his operation. His obsession with her, as well as his pride, clouds his judgment as Cornell, a much more ruthless hoodlum, moves in on Shubunka's territory, bribes and threatens his associates, and compromises his operation. As if in a Greek tragedy, the petty gangster's weaknesses conspire to cause his downfall. Written by duke1029@aol.com

Plot Summary | Add Synopsis

Taglines:

HE'S GOT THE TOWN BY THE THROAT! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

25 November 1947 (USA) See more »

Also Known As:

Low Company See more »

Filming Locations:

Hollywood, California, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Belita, the British Olympic ice skating queen, was, with this picture, Monogram's highest paid performer, even though this was her only role for them. See more »

Goofs

About 15 minutes into the picture, when people are going up and down the stairs to the elevated train platform, a shadow of the camera and crew member falls across them. See more »

Quotes

Nick Jammey: My advice to you is 'get out!' They'll jump you when you least expect it. Get out of town, Shubunka. They're killers!
Shubunka: Jammey, what did you do? What are you talking about? Did you sell me out?
Nick Jammey: Who me?
Shubunka: Did you go over to them?
Nick Jammey: I wish I did! I wish I could! The trouble with me is I've got a conscience!
See more »

Connections

Referenced in Trumbo (2015) See more »

Soundtracks

Paradise
Written by Gordon Clifford and Nacio Herb Brown
Sung by Belita (dubbed)
See more »

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User Reviews

 
The Gangster (1947)
3 January 2012 | by MartinTellerSee all my reviews

A big fish in a small pond finds his little world crumbling around him when a bigger fish swims into town. Opening with a monologue so misanthropic it could have been penned by Travis Bickle, this is a brutal and cynical film. Allied Artists reunited the stars of Suspense, Barry Sullivan and Belita, and the results are an improvement. Sullivan is cold and paranoid as the titular character, completely without trust or sympathy in anyone around him. Belita doesn't get to do any ice-skating this time around, but she is very good as his long-suffering gal, her devotion and sincerity eventually beaten down by his suspicions. I said earlier that I was looking forward to more of Joan Lorring, and I was glad to see her here. She doesn't get a whole lot of screen time, but she has a wonderful part to play in the end. There's a couple of subplots to consider. John Ireland is a desperate gambler whose story hooks into Sullivan's at a crucial point. The part with Harry Morgan as a self-imagined Romeo is a bit more superfluous but provide some nice character moments. Also some fine supporting bits by noir regulars Elisha Cook, Charles McGraw and Sheldon Leonard (and a blink-and-you'll-miss-it appearance by Shelley Winters). The Louis Gruenberg score is occasionally overwhelming but mostly superb. And Paul Ivano's cinematography makes the most of the often cheap-looking sets, a lot of beautiful stylization, especially in the rain-soaked opening and closing sequences. Perhaps a little too self-conscious and stagy at times, but a very well-done, gloomy and sometimes poetic film.


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