Steven Kenet, suffering from a recurring brain injury, appears to have strangled his wife. Having confessed, he's committed to an understaffed county asylum full of pathetic inmates. There, Dr. Ann Lorrison is initially skeptical about Kenet's story and reluctance to undergo treatment. But against her better judgement, she begins to doubt his guilt, and endangers her career on a dangerous quest through dark streets awash with rain.Written by
Rod Crawford <firstname.lastname@example.org>
This film received its USA television premiere in Los Angeles Monday 15 October 1956 on KTTV (Channel 11), followed by Seattle 30 October 1956 on KING (Channel 5), by Philadelphia Saturday 3 November 1956 on WFIL (Channel 6), by New Haven CT Sunday 18 November 1956 on WNHC (Channel 8), by Cincinnati Wednesday 28 November 1956 on WXIX (Channel 19) (Newport KY), by Hartford CT Thursday 6 December 1956 on WHCT (Channel 18), by Altoona PA Friday 14 December 1956 on WFBG (Channel 10), by Omaha Saturday 26 January 1957 on WOW (Channel 6) and by New York City Sunday 24 February 1957 on WCBS (Channel 2); in Chicago it first aired 28 June 1957 on WBBM (Channel 2), and San Francisco it was first telecast 4 February 1958 on KGO (Channel 7). See more »
At around ten minutes, a group of doctors are looking at Kenet's skull x-rays. The x-rays are hung behind the illuminated frosted glass panels - so that we can see the x-rays, but the doctors could not. And the x-ray as we see it is oriented correctly to show a left side hematoma, but to the doctors, the x-ray is reversed meaning the hematoma would be on the right. See more »
All this is confidential between doctor and patient isn't it? You're in a hurry to get in and report this aren't you? Well I can't stop you but just remember, you're the one who sold me on the idea of surgery, of fighting for an acquittal. Why did you bother?
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Nocturne Op. 9, No. 2
Composed by Frédéric Chopin
[The piano piece Slocum plays on the phonograph for Steve when they first meet at dinner] See more »
Robert Taylor in High Wall finds himself accused of wife Dorothy Patrick's murder. A head injury resulting from service as a pilot in the China-Burma-India Theater has rendered him susceptible to blackouts. When Patrick is strangled Taylor is a prime suspect, especially after he's caught racing from the crime scene.
It's a legal conundrum he's in. That head injury may just make him temporarily insane and Taylor's committed to a mental institution. There he meets psychiatrist Audrey Totter who's committed to rehabilitating him and loving him, not necessarily in that order in a given time in the film.
Though the story tends to go into the melodramatic the cast, especially Taylor give fine performances. I'm sure Taylor's background in the Navy during World War II helped him appreciate the plight of returning veterans like himself. Look also for great performances by Herbert Marshall as Patrick's boss and Vince Barnett as a blackmailing janitor with arthritis.
High Wall was Taylor's second film upon returning to MGM and it marked a step up from his first film Undercurrent. It still holds up well today.
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