Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ...
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Temperamental saloon singer Freddie Jones, jealously shoots at her cheating boyfriend Blackie but mistakenly hits Judge Alfalfa J. O'Toole's honorable behind, forcing her to skip town under the guise of a schoolteacher.
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and ... See full summary »
When the co-workers of an ambitious clerk trick him into thinking he has won $25,000 in a slogan contest, he begins to use the money to fulfill his dreams. What will happen when the ruse is discovered?
Episodic look at married life and in-law problems. Adventures include a ride on a crowded trolley with a live turkey; a wild spin in a new auto with the in-laws in tow; and a sequence in ... See full summary »
Fred C. Newmeyer,
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job destroys that dream, and when he finds a particularly potent drink at his local bar, he goes on a very strange and funny rampage (with a lion in tow).Written by
Diddlebock, in his speech in the bar, mentions the "echo of the thundering herd". The "thundering herd" is the nickname of the football team of Marshall University, West Virginia. See more »
When Diddlebock is reaching for Jackie's lead on the ledge, the overhead shot from behind shows Jackie's legs close to the wall. The closer shot (from the front) shows Diddlebock reaching between Jackie's legs, with Jackie's feet now on the edge. See more »
This film drags in some parts, and Lloyd I think puts off some modern viewers. The first time I watched it I thought it was the film equivalent of seeing Ali vs. Andre the Giant. But Sturges' brilliance is in here, and the degree to which it is derived from Lloyd is paid homage to in a wonderful, dark, surreal way. How can you not love a film that starts with the last moments of Lloyd's The Freshman and then shows the hero turned into a mail room stooge who gets buried by the corporate system? The ending is wonderfully hypnotic, happy? Well as is always the case, the poor down trodden guy figures out how to operate the machine just enough to produce his own deus ex machina. Sturges and Lloyd look more brilliant and visionary than ever from the vantage point of post-Enron, MCI, etc.
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